Ibbur soul attachment and the teachings of Isaac Luria Ashkenazi Ibbur

Graveside Isaac Luria Ashkenazi

http://en.wikipedia.org/wiki/Isaac_Luria

IBBUR HA GILGULIM

The return of the soul reflects universal principles of divine law especially for the purpose of growth and progression and most traditions have explicitly or tacitly recognized this law as an aspect of divine mercy and divine purpose for the advancement of humanity to a state of bliss or spiritual or soul perfection if you will. The soul goes to school, it learns and the stronger supports the weaker soul by teaching that weaker soul, by becoming its guardian . I do not think it is equivalent to the teachings on Metempsychosis but expands ,revises, and amplifies these.Some points in the Wikpedia article touch on these points of the uniqueness of the teachings of IBBUR and those of gilgulim in general:

• Ibbur is tantamount to positing the impregnation of souls for the express purpose of completion of that soul that is deficient in religious or in other duties or qualities. By impregnating or attachment to another soul when alive on earth, the impregnator/soul ,though perfected fills its lack or want . It makes good "the neglect" in its own makeup.



• The departed soul freed from sin attaches itself to an earthly soul imprisoned in the flesh and supports that weak soul unequal to the task of growing and evolving (not at all in the Darwinian sense). This soul doing the attaching is a "pure soul" acting as guardian and tutor.



• This union can only extend to three souls at one time



• This union can only take place in souls of homogeneous character: between those souls which are sparks of the same Adamite organ.



• The diaspora was to purify the souls of Israel and ultimately to save those souls (Salvific purpose of the Diaspora.



• These purified souls become a lamplight unto the nations. The3y free souls of men of other races from demoniacal influences.



• Men bear the mark on the forehead (also I believe mentioned in the book of Revelation?) revealing his soul nature and to which degree and class it belongs, the relation of that soul to the superior worlds. This mark shows the wanderings of the marked soul to the present that have been accomplished; how it can be freed from demoniacal influences (klipot); to which soul to be united to become purified. This union can be affected by formulas of conjuration.

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Return of the soul
To this doctrine of gilgulim (reincarnation of souls)
Luria added the theory of the impregnation (ibbur) of souls; that is to say,
if a purified soul has neglected some religious duties on earth, it must return
to the earthly life, and, attaching itself to the soul of a living man, unite
with it in order to make good such neglect.
Further, the departed soul of a
man freed from sin appears again on earth to support a weak soul which feels
unequal to its task. However, this union, which may extend to three souls at one
time, can only take place between souls of homogeneous character; that is,
between those which are sparks of the same Adamite organ. The dispersion of
Israel has for its purpose the salvation of men's souls; as the purified souls
of Israelites will fulfill the prophecy of becoming "A lamplight unto the
nations," influencing the souls of men of other races in order to free them from
demoniacal influences.
According to Luria, man bears on his forehead a mark
by which one may learn the nature of his soul: to which degree and class it
belongs; the relation existing between it and the superior world; the wanderings
it has already accomplished; the means by which it can contribute to the
establishment of the new moral system of the world; how it can be freed from
demoniacal influences; and to which soul it should be united in order to become
purified. This union can be effected by formulas of conjuration.
More on - Shaar ha
Gilgulim;

Anais Nin-The necessity for heroes

http://en.wikipedia.org/wiki/Ana%C3%AFs_Nin

http://mousemedicine.blogspot.com/2009/03/salad-days.html

Edward Yablonsky said...

There came a time when the risk to remain tight in the bud was more painful than
the risk it took to blossom.Anaïs Nin (1903-1977) writer.

This quote brings to mind that if we never blossom we are going through the motions and not truly "alive". To be truly quickened , we must move from our comfort zone at will. Danger at the end of the branch ,acts of heroism enables the world and ourselves to grow. Actually the world would stagnate without heroes. But back to Nin. She certainly had the daring to "blossom" as her quote stated and unfold she did. She wrote erotically. Her journals reveal relationships with the male authors of her time,especially Otto Rank. She read copiously of sexual exploits and had her degree in erotic love. She wrote erotic and pornographic narratives with Henry Miller. She appeared in several films as well.
March 19, 2009 4:06 AM

Note her memorable quotes: Each friend represents a world in us, a world not possibly born until they arrive, and it is only by this meeting that a new world is born."

"I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls."

"Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them."

"Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of withering, of tarnishing."

"Dreams are necessary to life."
' We dont see things as they are we see them as we are."

Anaïs Nin IPA: [ana'iːs nin] (born Angela
Anaïs Juana Antolina Rosa Edelmira Nin y Culmell) (February 21, 1903 - January 14, 1977) was a Catalan-Cuban-French author who became famous for her
published journals, which span more than
60 years, beginning when she was 11 years old and ending shortly before her
death. Nin is also famous for her erotica.

On 3 March 1923, in Havana, Cuba, she married
her first husband, Hugh Parker Guiler
(1898-1985), a banker and artist, later known as "Ian Hugo" when he became a
filmmaker of experimental films in
the late 1940s. The couple moved to Paris the following year, where
Guiler pursued his banking career and Nin began to
pursue her interest in writing. Her first published work was a critical
evaluation of D. H. Lawrence called D.
H. Lawrence: An Unprofessional Study. She also explored the field of psychotherapy, studying
under the likes of Otto Rank, a disciple of Sigmund
Freud

According to her diaries,Volume One, 1931 - 1934, Nin shared a bohemian lifestyle with Henry Miller during her time in Paris. There is no mention of her husband in that edited edition. In 1939, Nin and Hugh Parker Guiler moved back to New York City. Nin appeared in the Kenneth Anger film Inauguration of the Pleasure Dome (1954) as Astarte, the Maya Deren film Ritual in Transfigured Time (1946), and in Bells of Atlantis (1952), a film directed by Guiler under the name "Ian Hugo" with a soundtrack of electronic music by Louis and Bebe Barron.
In 1947, at the age of 44, she met and began living with Rupert Pole (1919-2006), sixteen years her junior. On 17 March 1955, she married him at Quartzsite, Arizona, returning with Pole to live in California.[7] Guiler remained in New York City and was unaware of Nin's second marriage until after her death in 1977.

Nin often cited authors Djuna Barnes and D. H. Lawrence as inspirations. She states in Volume One of her diaries that she and Henry Miller drew inspiration from Marcel Proust, André Gide, Jean Cocteau, Paul Valéry, and Arthur Rimbaud.

Anaïs Nin is perhaps best remembered as a diarist. Her journals, which span several decades, provide a deeply explorative insight into her personal life and relationships. Nin was acquainted, often quite intimately, with a number of prominent authors, artists, psychoanalysts, and other figures, and wrote of them often, especially Otto Rank. Moreover, as a female author describing a primarily masculine constellation of celebrities, Nin's journals have acquired importance as a counterbalancing perspective.

Erotic writings
Nin is hailed by many critics as one of the finest writers of female erotica. She was one of the first women to explore fully the realm of erotic writing, and certainly the first prominent woman in modern Europe to write erotica. Before her, erotica written by women was rare, with a few notable exceptions, such as the work of Kate Chopin.
According to Volume I of her diaries, 1931-1934, published in 1966 (Stuhlmann), Nin first came across erotica when she returned to Paris with her mother and two brothers in her late teens. They rented the apartment of an American man who was away for the summer, and Nin came across a number of French paperbacks: "One by one, I read these books, which were completely new to me. I had never read erotic literature in America… They overwhelmed me. I was innocent before I read them, but by the time I had read them all, there was nothing I did not know about sexual exploits… I had my degree in erotic lore."
Faced with a desperate need for money, Nin and Miller began in the 1940s to write erotic and pornographic narratives for an anonymous "collector" for a dollar a page, somewhat as a joke.[9] Nin considered the characters in her erotica to be extreme caricatures and never intended the work to be published, but changed her mind in the early 1970s and allowed them to be published as Delta of Venus and Little Birds.
Nin was a friend, and in some cases lover, of many leading literary figures, including Henry Miller, Antonin Artaud, Edmund Wilson, Gore Vidal, James Agee, and Lawrence Durrell. Her passionate love affair and friendship with Miller strongly influenced her both as a woman and an author. The rumor that Nin was bisexual was given added circulation by the Philip Kaufman film Henry & June. Although this rumor is widely believed to be false, Nin's journals leave many questions about her relationship with Henry Miller's wife, June. In her unexpurgated journals, she wrote that she had an incestuous relationship with her father, and refers to experiments with beastiality, and sexual relationships and experiences with women.

D. H. Lawrence: An Unprofessional Study
Collages
Winter of Artifice
Under a Glass Bell
House of Incest
Delta of Venus
Little Birds
Cities of the Interior, in five volumes:
Ladders to Fire
Children of the Albatross
The Four-Chambered Heart
A Spy in the House of Love
Seduction of the Minotaur
The Diary of Anaïs Nin (7 volumes)
The Early Diary of Anaïs Nin (4 volumes)
The Novel of the Future
In Favor of the Sensitive Man
Henry and June
Incest
Fire
Nearer the Moon

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