Sunday, August 14, 2016

The Little Riders by Margaretha Shemin

Format: Paperback
This short tale highlights the resilience and determination of the Dutch people to live free from oppression during Nazi occupation. Young Johanna (raised in America but with a Dutch father) has spent the last five years with her grandparents in a small village in Holland. She has come cherish the the simple but dignified lifestyle in northern Holland, the last part of the country to be liberated. While some were collaborating with the enemy, she made a private vow never to look a Nazi soldier in the face.
The village treasure consists of a set of 12 Little Riders of metal (modeled centuries ago to represent Crusaders); they ride out and salute each other when the church clock tolls the hours. Johanna's favorite viewing spot is her attic room--just where her father used to sit and admire them as a boy. But when the Nazis invade the village, her family is forced to house a young officer (who plays the flute on summer nights). She has to vacate her little room with its view of the Riders (and a secret hiding place at the back of her closet).
The villagers' worst fears are realized when the commanding officer orders his men to seize the Little Riders and melt them down for ammunition--to be used against the very people who love them. How can 11-year-old Johanna help her grandfather prevent this desecration? Even children can exhibit heroism for a noble cause, for these Little Riders represent more than just medieval art. They now symbolize the spirit of joy and yearning for liberty of the Dutch people. Who will suffer Nazi retaliation when the Riders are discovered missing? A thoughtful tale which will charm adult readers and inspire youthful ones.

Format: Paperback
Johanna, a young Dutch-American girl, is visiting her grandparents in Holland when World War II breaks out and Holland is invaded by the Germans. To her dismay, the Nazis appropriate her bedroom to be the living quarters of one of their officers. This not only produces inconvenience for the girl, but also endangers her grandparents who are leaders in the resistance movement. She takes consolation in watching the village's treasured Little Riders, iron figures of noblemen commemorating the Crusades, which make their circuit in the church steeple as the great clock strikes the hours. When the Nazis announce their intention to melt the Little Riders down for ammunition, Johanna joins the movement to keep the statues out of the Nazis' hands. When plans to smuggle them out of town go wrong, Johanna is left alone with them and she heroically implements a desperate solution. The story ends with a surprise which underscores the humanity of all people who participated in this war.

This riveting story gently introduces the pain and evil involved in World War II, without going into graphic detail about the horrors of the war. Johanna's courage and loyalty are very admirable, and they seem to grow naturally in the context of her family's values of love and courtesy. The book is written at a transitional reader's level and (unlike most war stories) is appropriate for precocious pre-readers.
Format: Paperback Verified Purchase
The Little Riders is a believable tale of the experience of one ten-year-old American girl caught up in World War II when blitzkrieg comes to the Netherlands while she is visiting her Dutch grandparents. The novella offers drama and excitement for young readers. As the reader follows the story of the small acts of resistance against the Nazi occupiers, the imagining of the trials and despair of the war become possible, yet the brutality is kept at a level that allows even a ten-year-old to read the book and emotionally cope. This is an excellent book for introducing World War II studies and for cultivating the understanding that courage is often shown by ordinary people in times of adversity, that creativity and standing together can defeat an enemy. I recommend this book for initial studies of World War II as well as for personal adventure reading.
Format: Paperback
Johanna is visiting Holland at the point World War II starts. Her father and mother are away overseas on a trip, and Johanna stays with her grandparents. Johanna's job is to hide the "Little Ridders' - metal statues that represented young riders who left to the Holy Land and never returned. They symbolized bravery to the people of the town. Finally the liberators land France and come into Holland from the north and the south. After five years of Johanna's stay in Holland, her father who was in the Canadian army, surprised her. I liked the book because it is about history. I also like that Johanna was brave.


Young American Joanne Hunter is stranded in the German-occupied Holland with her Dutch grandparents. The German CO, Captain Kessel begins to wage war on the village's morale, and Joanne's house must quarter another German officer, Lt. Braun, who finds himself torn between his duty and distaste of Kessel's methods. When Kessel threatens the lead statues of 16th-century freedom fighters in the town clock, Joanne and her grandparents rally the villagers to save Kirkendam's "little riders".
- Written by Kathy Li

Saturday, August 13, 2016

Yellow Canary

The-yellow-canary-movie-poster-1943.jpg
Theatrical poster
Directed byHerbert Wilcox
Produced byHerbert Wilcox
Written byP. M. Bower
Miles Malleson
DeWitt Bodeen
StarringAnna Neagle
Richard Greene
Albert Lieven
Distributed byRKO Radio Pictures
Release dates
  • 19 October 1943( Premiere-London)
  • 13 April 1944 (U.S.)[1]
Running time
95 minutes (UK) (also given as 98 minutes)[2]
84 minutes, edited (U.S.)[3]
CountryUnited Kingdom
LanguageEnglish



Yellow Canary
The-yellow-canary-movie-poster-1943.jpg
Theatrical poster
Directed byHerbert Wilcox
Produced byHerbert Wilcox
Written byP. M. Bower
Miles Malleson
DeWitt Bodeen
StarringAnna Neagle
Richard Greene
Albert Lieven
Distributed byRKO Radio Pictures
Release dates
  • 19 October 1943( Premiere-London)
  • 13 April 1944 (U.S.)[1]
Running time
95 minutes (UK) (also given as 98 minutes)[2]
84 minutes, edited (U.S.)[3]
CountryUnited Kingdom
LanguageEnglish
Yellow Canary is a 1943 British drama film, directed by Herbert Wilcox and starring Anna Neagle, Richard Greene and Albert Lieven. Neagle plays a British Nazi sympathizer who travels to Halifax, Canada, trailed by spies from both sides during the Second World War. Neagle and director/producer Wilcox had collaborated on a number of previous film projects previously.[4]

Plot[edit]

In the Second World War, Sally Maitland (Anna Neagle) appears to signal Nazi planes to bomb England after murdering an innocent citizen in his home. The next morning, Sally boards a ship bound for Canada. Two of her fellow passengers, Jim Garrick (Richard Greene) and Polish officer Jan Orlock (Albert Lieven), seek her acquaintance, despite her long-time and well-known admiration for Nazi Germany. It soon becomes common knowledge that Jim is in British intelligence. Sally rebuffs his advances, but welcomes Jan's attention. Sally is, in fact, a deep cover British agent on a secret mission shadowing her quarry: Jan. Unbeknownst to Sally, Jim has been assigned to help and protect her.
The ship is stopped in mid-ocean by the German heavy cruiser Prinz Eugen, and a boarding party takes Jim prisoner. To the puzzlement of the ship's captain, the cruiser allows the ship to continue on its way. It turns out that the Germans have captured an impostor, when Jim emerges from hiding.
When they reach Halifax, Nova Scotia, Jan introduces Sally to his invalid mother, Madame Orlock (Lucie Mannheim). Jim uses his contacts to have Sally appear to be a true Nazi sympathizer by having Canadian government men expose her and warn the Orlocks to stay away from her due to her Nazi leanings. Sally pretends to try to break off their relationship to avoid trouble for them.
Jan reveals that he is working for the Nazis and recruits Sally into his spy ring on the night of their greatest exploit. Sally has been waiting for this chance to find out who his fellow conspirators are, especially their leader. To Sally's surprise, the leader turns out to be Madame Orlock, who is not Jan's mother. She reveals that one of the ships of an incoming convoy has been secretly replaced by another filled with explosives, which is to be detonated when they reach Halifax, wrecking the vital port, a plan inspired by a devastating accident of the First World War.
At this point, Jan reveals he is anxious to make up for a recent bungled secret mission to bomb British royalty which failed due to his contact man sending incorrect landmark signals to the bombers. This explains the opening sequence: Sally killed the Nazi agent and thwarted that mission. Sally finally learns that Jim is assigned to her when she catches him breaking into Jan's study to try to uncover evidence, just as she has.
Later, after being caught unawares after Orlock sneaks into her room, she thinks fast on her feet to explain her friendliness to Jim. Orlock believes she is a double agent, but she claims she is tricking the enemy and avoids being summarily executed. She then slips Jim a note written in lipstick advising him to wait at headquarters for information and heads off with Orlock.

Orlock orders Sally to telephone Jim and tell him that an attempt will be made to sabotage the Queen Mary, scheduled to sail later that night, and that all available agents should be immediately sent to stop it. Sally is able to warn of the actual plot to the British over the telephone. Canadian bombers are then dispatched to blow up the ship. Meanwhile, Jan shoots Sally before Jim can rescue her; fortunately the bullet is stopped by a cigarette case which he gave to her earlier, and she and Jim are married.

Production[edit]

Although never identified as Unity Mitford, the central character played by Neagle has some obvious similarities to the pro-Nazi British dilettante who had a great deal of notoriety in pre-war times.[6] In production during 1943, while the United Kingdom was still fearful of Nazi spies, Yellow Canary was obviously made as wartime propaganda, with the aim not only of keeping up morale but also of warning the British public to be on their guard.[7][8]Van Neste, Dan. "Richard Greene, Swashbuckler With A Double-Edged Sword". classicimages.com.Retrieved: 5 June 2011


Cast[edit]Production[edit]

Although never identified as Unity Mitford, the central character played by Neagle has some obvious similarities to the pro-Nazi British dilettante who had a great deal of notoriety in pre-war times.[6] In production during 1943, while the United Kingdom was still fearful of Nazi spies, Yellow Canary was obviously made as wartime propaganda, with the aim not only of keeping up morale but also of warning the British public to be on their guard.[7][8]
Yellow Canary co-stars Richard Greene and Margaret Rutherford went on to further success in other films. Rutherford was especially adept at scene-stealing in the film.[7] Greene was in the armed forces at this time, and had interrupted his successful acting career to serve in the Second World War in the 27th Lancers, where he distinguished himself. After three months, he went to Sandhurst and was commissioned. He was promoted to captain in the 27th Lancers in May 1944. He was relieved from duty in 1942 to appear in the British propaganda films Flying Fortress and Unpublished Story. In 1943, Greene appeared in Yellow Canary while on furlough.[9][10]
Although set aboard a ship in the early scenes, the majority of the principal photography for Yellow Canary took place at the massive lots at Denham Film Studios (D&P Studios), located near the village of Denham, Buckinghamshire. All of the location sequences of Halifax were strictly "B" roll, but did provide a realistic, "atmospheric" look at wartime conditions in the busy Canadian military and civilian port.[7]
In London in 1940, German bombers, drawn by a signal from Sally Maitland, a British Nazi sympathizer, drop their bombs on Buckingham Palace. When British soldiers rush to the source of Sally's signal, they find only the dead body of Oscar Borell. Sally, meanwhile, has taken a train to Liverpool, where she boards the S.S.Carina , a ship bound for Canada. Sally, who is known as the "Yellow Canary" because of her pro-Nazi sympathies, is snubbed by most of the ship's passengers except for Jan Orlock, a Polish refugee, and Lt. Commander Jim Garrick of British Naval Intelligence, who is traveling undercover as a supply officer for the British army. Sally welcomes Orlock's company but snubs Garrick. As the ship heads out to sea, it is followed by a German cruiser, which orders her to heave to. After the Germans commandeer the Carina , an officer boards the ship and demands that Garrick be turned over to the Germans. Orlock, who has seen his mother disabled and his home destroyed in a German raid, denounces the officer in perfect German. Sally watches as the Germans escort Garrick from the ship, but later discovers that the man taken prisoner was actually Garrick's double and the real Garrick is still onboard the Carina .  After the Germans leave, Orlock tries to convince Sally of the heinousness of the Nazis and insists that she meet his mother, who is living in Halifax. When the ship docks at Halifax harbor, Sally takes a room at the Barrington Hotel, and the Royal Canadian Mounted Police assigns two agents to follow her. Orlock takes Sally to visit his invalid mother at the Chateau Brochet, and while Sally toasts the "new order," Madame Orlock drinks to old freedoms. Although Sally tells Orlock that they should stop seeing each other because of their differing political beliefs, he insists on calling for her the next afternoon. When Sally returns to her hotel room that night, she finds Garrick camped in a bed outside her door, claiming that it is the last available bed in Halifax. The next day, Sally joins Orlock and his mother on Signal Hill above the Halifax harbor. There, Orlock describes Halifax as Europe's gateway to the Atlantic and recounts the destruction of the harbor by a TNT explosion in 1917. When Sally and the Orlocks return to Chateau Brochet, they are visited by two Canadian agents, who warn the Orlocks that Sally is a traitor. Shaken by her accusers, Sally decides that she must leave Halifax. In reply, Orlock shows her his cigarette case which is encrusted with a swastika, and reveals that he is a Nazi undercover agent. After reaffirming his love for Sally, Orlock invites her to join his organization of Nazi spies, who he says will act "when the star rises," the phrase he spoke to the German officer aboard the Carina . After Sally returns to her hotel, the Orlocks are visited by Mrs. Towcester, a busy-body passenger from theCarina , who informs them that Garrick is a British Intelligence agent. As soon as Mrs. Towcester leaves, Orlock burns all his papers to insure that they will not fall into Garrick's hands. Later that night, Sally returns to the Chateau Brochet to search Orlock's study and is interrupted by Garrick, who is working undercover with Sally for British Intelligence. Back at the hotel bar, Sally informs Garrick that Orlock is a Nazi and that his organization plans to act shortly. At the door to her hotel room, Sally apologizes to Garrick for her rude behavior, and as she opens the door, he kisses her. Their embrace is witnessed by Orlock, who is seated in Sally's room. When the door closes, Orlock pulls out his gun and orders Sally to leave with him. In response, Sally slaps Orlock and accuses him of being a British agent who has betrayed their love. Sally's behavior regains Orlock's confidence, and he decides to introduce her to their leader. As Sally walks into the hotel corridor, she drops a message to Garrick, instructing him to go to headquarters and wait. On the drive to their meeting, Orlock tells Sally about how a man named Oscar Borell sabotaged their mission to bomb the King and Queen of England at their country palace by signaling the planes to drop the bombs on Buckingham Palace instead
Upon arriving at Chateau Brochet, Orlock introduces Sally to the other members of the ring, and she recognizes several of them as hotel employees. Then striding down the stairs, comes the group's leader, Madame Orlock. After informing Sally that she was only posing as Orlock's Mother, she tells the group that a German ship, loaded with TNT, has infiltrated a British convoy and will blow up Halifax harbor that night. She then announces that they plan to use Sally as a decoy and instructs her to call British Intelligence with the misinformation that the Queen Mary is the target of Nazi sabotage. As instructed, Sally phones Garrick at headquarters, but then smashes the lights and yells a warning about the planned sabotage of the harbor. Quickly switching on the lights, Orlock shoots Sally, who falls to the ground. Aware of Sally's danger, Garrick rushes to the chateau and takes the Nazis prisoners. Alerted by Sally's information, the British Navy singles out the German ship before it enters the harbor and bombs it into oblivion. Some time later in London, Sally, who was saved from the bullet's impact by Orlock's cigarette case, arrives home and is at last welcomed as a hero by her family. Sally then discovers that she was trailed by Garrick, who introduces himself to the Maitland family as their new son-in-law. 

Production Company:Imperator Film Productions, Ltd.
As appearing in Yellow Canary, (main roles and screen credits identified):[5]
  • Anna Neagle as Sally Maitland
  • Richard Greene as Lieutenant Commander Jim Garrick
  • Albert Lieven as Jan Orlock
  • Lucie Mannheim as Madame Orlock
  • Nova Pilbeam as Betty Maitland
  • George Thorpe as Colonel Charles Hargraves
  • Marjorie Fielding as Lady Maitland
  • Franklin Dyall as Captain Foster
  • Valentine Dyall as officer on German cruiser [Prinz Eugen ?]
  • Margaret Rutherford as Mrs. Towcester
  • Aubrey Mallalieu as Reynolds
  • Sybille Binder as Madame Orlock's Attendant
  • FULL SYNOPSIS

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    In London in 1940, German bombers, drawn by a signal from Sally Maitland, a British Nazi sympathizer, drop their bombs on Buckingham Palace. When British soldiers rush to the source of Sally's signal, they find only the dead body of Oscar Borell. Sally, meanwhile, has taken a train to Liverpool, where she boards the S.S. Carina , a ship bound for Canada. Sally, who is known as the "Yellow Canary" because of her pro-Nazi sympathies, is snubbed by most of the ship's passengers except for Jan Orlock, a Polish refugee, and Lt. Commander Jim Garrick of British Naval Intelligence, who is traveling undercover as a supply officer for the British army. Sally welcomes Orlock's company but snubs Garrick. As the ship heads out to sea, it is followed by a German cruiser, which orders her to heave to. After the Germans commandeer the Carina , an officer boards the ship and demands that Garrick be turned over to the Germans. Orlock, who has seen his mother disabled and his home destroyed in a German raid, denounces the officer in perfect German. Sally watches as the Germans escort Garrick from the ship, but later discovers that the man taken prisoner was actually Garrick's double and the real Garrick is still onboard the Carina . After the Germans leave, Orlock tries to convince Sally of the heinousness of the Nazis and insists that she meet his mother, who is living in Halifax. When the ship docks at Halifax harbor, Sally takes a room at the Barrington Hotel, and the Royal Canadian Mounted Police assigns two agents to follow her. Orlock takes Sally to visit his invalid mother at the Chateau Brochet, and while Sally toasts the "new order," Madame Orlock drinks to old freedoms. Although Sally tells Orlock that they should stop seeing each other because of their differing political beliefs, he insists on calling for her the next afternoon. When Sally returns to her hotel room that night, she finds Garrick camped in a bed outside her door, claiming that it is the last available bed in Halifax. The next day, Sally joins Orlock and his mother on Signal Hill above the Halifax harbor. There, Orlock describes Halifax as Europe's gateway to the Atlantic and recounts the destruction of the harbor by a TNT explosion in 1917. When Sally and the Orlocks return to Chateau Brochet, they are visited by two Canadian agents, who warn the Orlocks that Sally is a traitor. Shaken by her accusers, Sally decides that she must leave Halifax. In reply, Orlock shows her his cigarette case which is encrusted with a swastika, and reveals that he is a Nazi undercover agent. After reaffirming his love for Sally, Orlock invites her to join his organization of Nazi spies, who he says will act "when the star rises," the phrase he spoke to the German officer aboard the Carina . After Sally returns to her hotel, the Orlocks are visited by Mrs. Towcester, a busy-body passenger from the Carina , who informs them that Garrick is a British Intelligence agent. As soon as Mrs. Towcester leaves, Orlock burns all his papers to insure that they will not fall into Garrick's hands. Later that night, Sally returns to the Chateau Brochet to search Orlock's study and is interrupted by Garrick, who is working undercover with Sally for British Intelligence. Back at the hotel bar, Sally informs Garrick that Orlock is a Nazi and that his organization plans to act shortly. At the door to her hotel room, Sally apologizes to Garrick for her rude behavior, and as she opens the door, he kisses her. Their embrace is witnessed by Orlock, who is seated in Sally's room. When the door closes, Orlock pulls out his gun and orders Sally to leave with him. In response, Sally slaps Orlock and accuses him of being a British agent who has betrayed their love. Sally's behavior regains Orlock's confidence, and he decides to introduce her to their leader. As Sally walks into the hotel corridor, she drops a message to Garrick, instructing him to go to headquarters and wait. On the drive to their meeting, Orlock tells Sally about how a man named Oscar Borell sabotaged their mission to bomb the King and Queen of England at their country palace by signaling the planes to drop the bombs on Buckingham Palace instead. Upon arriving at Chateau Brochet, Orlock introduces Sally to the other members of the ring, and she recognizes several of them as hotel employees. Then striding down the stairs, comes the group's leader, Madame Orlock. After informing Sally that she was only posing as Orlock's Mother, she tells the group that a German ship, loaded with TNT, has infiltrated a British convoy and will blow up Halifax harbor that night. She then announces that they plan to use Sally as a decoy and instructs her to call British Intelligence with the misinformation that the Queen Mary is the target of Nazi sabotage. As instructed, Sally phones Garrick at headquarters, but then smashes the lights and yells a warning about the planned sabotage of the harbor. Quickly switching on the lights, Orlock shoots Sally, who falls to the ground. Aware of Sally's danger, Garrick rushes to the chateau and takes the Nazis prisoners. Alerted by Sally's information, the British Navy singles out the German ship before it enters the harbor and bombs it into oblivion. Some time later in London, Sally, who was saved from the bullet's impact by Orlock's cigarette case, arrives home and is at last welcomed as a hero by her family. Sally then discovers that she was trailed by Garrick, who introduces himself to the Maitland family as their new son-in-law.
Director (59 credits)


Friday, August 12, 2016

Nuremberg

Editorial Reviews

Synopsis:- Europe, 1945. The war is over, but the battle for justice is about to begin. Twenty-one members of the Nazi high command stand in a charged courtroom inside Nuremberg's Palace of Justice. Twenty-one pleas of Not Guilty are entered. Will the trial of these notorious men be a forum for Allied vengeance or a quest for justice. Based on Joseph E. Persico's acclaimed book Nuremberg: Infamy on Trial and featuring momentous dialogueGoering's guard "Tex" taken from case transcripts, Nuremberg is a compelling courtroom drama about the post-World War II Trial of the Century. Alec Baldwin, Jill Hennessy, Christopher Plummer, Brian Cox and Max von Sydow star in this vivid work filled with intellectual fire and righteous courage.

Nuremberg
To the mind of many historical observers, nothing so defines the striking manifest differences between the horrific nature of the Third Reich from the more rational and compassionate constitutional democracies that largely comprised the Allies as the way in which the defendants of the trials at Nuremberg were handled. With painstaking precision (and at extraordinary cost in terms of international arm-twisting and back-door deals), the proponents of a judicial proceeding designed to illustrate the manifest individual guilt of the various Nazi officials forged a result that still stands today as a model of a non-retributive effort in the face of extraordinary pressure. In this carefully reearched and terrifically presented movie depiction of the events, one comes to appreciate the problems facing the Allies in proceeding with the trials.
And while one can hardly describe the Nuremberg trials as unflawed or perfect, they did prove to the world that the Allies were willing to subscribe to the existing canon of law to judge the actions of the Nazis.
Doing so was anything but easy, Indeed, achieving a fair result that would literally convince the watching world of the guilt of the participants in the war was anything but easy, and moving toward that deliberate goal is a theme providing an interesting theme punctuating the pace of the book. Churchill wanted revenge by way of summary trials and quick retribution, while the Russians just wanted to string up the whole group in a mass hanging. Yet American Supreme Court Justice Robert Jackson (Alex Baldwin) was able to resolve the differences well enough to proceed, although at times the viewer wonders if the trials will be anything like the fair-minded judicial event he has in mind.
Still, the efforts at conducting a fair and open forum for the world to watch as the prosecution and defense teams clashed before the international tribunal prevailed, and the trials concluded with mixed results in terms of the results. Most of the defendants were found guilty, and many were hanged.
Yet few observers doubted that the defendants had had their day in court along with and adequate opportunity to defend their actions to a watching world. Given how little justice and liberty they collectively allowed for their tens of millions of victims, it is remarkable just how civilized and dignified a proceeding the Nuremberg trials were, with all their theatrics and subterranean undercurrents.One marvels at the fact that after fifty years the world still stands in awe at the deliberate, careful, and methodical way in which the Allies achieved the result of a rational and fair trial of the defendants in history's most horrific modern nightmare, the terror of the Third Reich. This is an interesting and absorbing film presentation, and it is fascinating and entertaining to watch. It was also particularly interesting to me because it explores the lives of each of the defendants in looking at their individual guilt. I recommend it to anyone interested in learning more about these singular trials and their impact on history.
By givbatam3 on October 19, 2005
Format: DVD
The other reviewers have pointed out the importance of this film, so I would like to make a few points that may be important.

(1) As in so many Western films, the Russians (or, actually, Soviets) are a caricature-they are portrayed as uncouth louts.

I wasn't happy with the scene of the party at Jackson's house where the German butler and his wife refuse to serve the Russian judge because their son was killed on the Russian front.


Jackson's secretary tries to calm the situation without showing any understanding of the Russian's response that most of the victims of Nazism's horrors were residents of the USSR, simply dismissing it as politics. In reality, everyone admitted that the Soviet role in the trial was basically fair and constructive, in spite of the fact that the Soviet judges were totally under the thumb of Soviet dictator Josef Stalin who really was no better than Hitler and his Nazis whom they were supposed to be judging.


(2) Albert Speer is portrayed as a truly penitent Nazi technocrat. Many people, including Airey Neave (the British officer who presented the indictments and who was tragically murdered by the Irish Republican Army in 1979) felt that it was unfair to execute Nazi Labor chief Sauckel and to let Speer off to become a prosperous, professional "ex-Nazi" when all Sauckel did was round up laborers for Speers armaments industries. Speer does admit that he was always pressuring Sauckel for more laborers, but Neave and others feel that his remorse for what he did was mainly to get sympathy from the judges and that he never really confronted his own, direct personal responsibility for the horrors of the Nazi regime, rather than just the collective responsibility he accepted.

(3) Although judge Francis Biddle is shown to be a rather petty man, the film doesn't make clear that both he and Justice Jackson were miscast in their roles in the trial, because Biddle had a career as a prosecutor but was chosen by President Truman to be a Judge in the trial, whereas Jackson was a Supreme Court Justice yet was chosen to be a prosecutor in the trial.


(4) The film, probably correctly, leaves the role of Goering's guard "Tex" as ambiguous in his enabling Goering to get ahold of the cynanide capsule in order to cheat the hangman. It is not clear even today whether Tex really wanted to help Goering get the capsule, or whether it was just negligence and disobeyal of orders when he brought Goering the belongings he asked for.


(5) Psychiatrist Capt Gustav Gilbert's great "revelation" in discovering that the reason the Nazis did such terrible things was "a lack of empathy" is certainly over-simplistic. Although it is true that they were indifferent to the suffering they caused, this does not explain how they managed to set up an industrialized mass-murder machine and how they got much of Europe to at least passively accept the Holocaust.
Many people are indifferent to the suffering of others, but that doesn't mean they go out and deliberately cause suffering to their neighbors.

Having said these things, I still think everyone should see this film to understand the greatest tragedy of the 20th century-the Second World War.