Thursday, December 3, 2009

Yiddish music of the holocaust Mordechai Gebirtig

http://en.wikipedia.org/wiki/Yiddish_language







http://en.wikipedia.org/wiki/Mordechai_Gebirtig






http://fcit.usf.edu/Holocaust/arts/musVicti.htm











http://www.ushmm.org/museum/exhibit/online/music/detail.php?content=forest



















Yiddish (ייִדיש
yidish or אידיש
idish, literally "Jewish") is a non-territorial High German
language
of Jewish origin, spoken throughout the world. Yiddish is
conventionally written in the Hebrew alphabet.
The
language originated in the Ashkenazi culture that
developed from about the 10th century in the Rhineland and then spread to central and eastern Europe and eventually to other
continents. In the earliest surviving references to it, the language is called
לשון־אַשכּנז (loshn-ashkenaz = "language of Ashkenaz") and טײַטש (taytsh, a
variant of tiutsch, the contemporary name for the language otherwise spoken in
the region of origin, now called Middle High German;
compare the modern New High German
Deutsch). In common usage, the language is called מאַמע־לשון (mame-loshn,
literally "mother tongue"), distinguishing it from biblical
Hebrew and Aramaic, which are
collectively termed לשון־קודש (loshn-koydesh, "holy tongue").
The term "Yiddish"
did not become the most frequently used designation in the literature of the
language until the 18th century.
For a significant portion of its history,
Yiddish was the primary spoken language of the Ashkenazi Jews and once spanned a
broad
dialect continuum from Western Yiddish to three
major groups within
Eastern Yiddish. Eastern
and Western Yiddish are most markedly distinguished by the extensive inclusion
of words of
Slavic origin in the
Eastern
dialects. While Western Yiddish has few
remaining speakers, Eastern dialects remain in wide use
.




Gebirtig’s reputation today
Today, Gebirtig is perhaps best known internationally for his song, "S'brent" (It is Burning), written in 1938 in response to the 1936 pogrom of Jews in the shtetl (small town) of Przytyk. It sounded an alarm for the approaching calamity that would become known as the Holocaust.[1] Undzer shtetl brennt was sung in the ghettos of Nazi-occupied Europe. Since then the song, in the original Yiddish and in its Hebrew translation titled "Ha-Ayyarah Bo'eret" (העיירה בוערת, "Our Little Town is Burning!" (See Stetl) - hence the occasional reference to a Yiddish title, "Undzer Shtetl Brent!"), continues to be widely performed in the context of Holocaust commemoration.
[edit] Gebirtig’s life and death
Mordecai Gebirtig (1877-1942) was born in Krakow and lived in its Jewish working-class quarter all his life, one which was ended by a Nazi bullet in the Krakow Ghetto on the infamous "Bloody Thursday" of June 4th, 1942. He is the preeminent "folk" artist in Yiddish literature and song. Gebirtig served for five years in the Austro-Hungarian army. He was self-taught in music, played the shepherd's pipe well, and tapped out tunes on the piano with one finger. He earned his livelihood as a furniture worker; music and theater were avocations.



Gebirtig’s beliefs
Gebirtig belonged to the Jewish Social Democratic Party, a political party in Galicia which merged into the Jewish Labour Bund after World War I. The Bund was a Yiddishist proletarian socialist party, which called for Jewish cultural autonomy in a democratic and socialist Poland.
[edit] Gebirtig’s music
From 1906 he was a member of the Jewish Amateur Troupe in Krakow. He also wrote songs and theater reviews for Der sotsial-demokrat, the Yiddish organ of the Jewish Social-Democratic Party. It was in such an environment that Gebirtig developed, encouraged by such professional writers and Yiddishist culural activists as Avrom Reyzn, who for a time lived and published a journal in Krakow. His talent was his own, but he took the language, themes, types, tone and timbre of his art from his surroundings, in some measure continuing the musical tradition of the popular Galician cabaret entertainers known as the Broder Singers, who in turn were beholden to the yet older and still vital tradition of the batkhn's (wedding jester's) improvisatory art.
[edit] The style of folk songs
It was only in 1920, under the second Polish Republic, that he published his first collection of songs, significantly entitled Folkstimlekh ('of the folk'). His songs spread quickly even before they were published, and many people regarded them as folksongs whose author or authors were anonymous. Adopted by leading Yiddish players such as Molly Picon, Gebirtig's songs became staples of numerous regular as well as improvised theatrical productions wherever Yiddish theatre was performed. It is not an exaggeration to say that Gebirtig's songs were sung and lovingly sung the world over.
[edit] Recognition and work
Gebirtig is most famous for his song "Undzer shtetl brent," which was written in 1938 following the pogrom in Pszytyk and which was later adopted by the Jewish youth of Krakow and others as a battle song against the Nazis.
In his song "S'tut vey" ('It Hurts'), Gebirtig is shattered by the absence of solidarity of all Polish citizens against the Nazi invaders. Dated Krakow February 1940, it is a song directed against those Poles who laughed when German soldiers humiliated and tortured old Jews in the streets of Krakow.
Gebirtig's song "It Hurts" expresses what most Jews have always felt and what courageous Poles like Jan Blonski have clearly said on this painful subject: the Poles could not have saved the Jews from their fate and are not responsible for that fate, but they could certainly have shown more compassion to the Jews in their agony.


[edit] References
^ "Our Town Is Burning (Undzer shtetl brent)" (html). Music of the Holocaust. United States Holocaust Memorial Museum. undated. http://www.ushmm.org/museum/exhibit/online/music/detail.php?content=burning. Retrieved 26 July 2009.
[edit] Bibliography
http://fcit.usf.edu/Holocaust/arts/musVicti.htm
http://findingaids.cjh.org/?fnm=MorGebirtig&pnm=YIVO
http://holocaustmusic.ort.org/places/ghettos/krakow/gebirtigmordechai/
http://www.jewish-theatre.com/visitor/article_display.aspx?articleID=1901
http://www.musicforte.com/shop/lyrics-and-sheet-music/artist/MordechaiGebirtig
Retrieved from "http://en.wikipedia.org/wiki/Mordechai_Gebirtig"


























































Yiddish evolved to the national language of Jews in the pre WWII diaspora in Eastern Europe , particularly Poland .It originated in Ashkenazi culture from the 10th century in the Rhineland
conventionally written in the Hebrew alphabet. Yiddish was the primary spoken language of Ashkenazi Jews, the mother tongue.

I. "S'brent" Wrote this song in 38 and in response to 36 pogrom of the Jews of Przytyk and sounded an alarm or portent of the impending holocaust soon to come.

Undzer shtetl brennt was sung in the ghettos of Nazi-occupied Europe. Since then the song, in the original Yiddish and in its Hebrew translation titled "Ha-Ayyarah Bo'eret" (העיירה בוערת, "Our Little Town is Burning!" (See Stetl) - hence the occasional reference to a Yiddish title, "Undzer Shtetl Brent!"), continues to be widely performed in the context of Holocaust commemoration.

2. He was born in Cracow where he met his end on bloody Thursday June 4 1942 where the ghetto was liquidated.He is the preeminent folk artist in Yiddish literature,played the shepherd's pipe and earned his livelihood as a furniture worker. Literature and song were his avocations.

3.Gebirtig's beliefs-Member of the Jewish socialist democratic party that later merged with the Bund. It was a proletarian socialist party calling for Jewish cultural autonomy in a democratic and socialist Poland.

4.His talent was his own but he took the language and themes from his surroundings and continued the tradition of the Broder singers, and they derived their tradition from the
batkhn's (wedding jester's) improvisatory art.

5.His first folk song collection Folkstimlekh spread before they were published and many regarded them of anonymous authorship. They were adopted by leading Yiddish players .They became staples of the Yiddish theatre.



It was only in 1920, under the second Polish Republic, that he published his first collection of songs, significantly entitled Folkstimlekh ('of the folk'). His songs spread quickly even before they were published, and many people regarded them as folksongs whose author or authors were anonymous. Adopted by leading Yiddish players such as Molly Picon, Gebirtig's songs became staples of numerous regular as well as improvised theatrical productions wherever Yiddish theatre was performed. It is not an exaggeration to say that Gebirtig's songs were sung and lovingly sung the world over.



6.S'tut vey" This song expresses the hurt of recognizing the silent collaboration of the Poles with the Nazi invaders. Were it not for their complicity the Nazis could not have been so successful.

In his song "S'tut vey" ('It Hurts'), Gebirtig is shattered by the absence of solidarity of all Polish citizens against the Nazi invaders. Dated Krakow February 1940, it is a song directed against those Poles who laughed when German soldiers humiliated and tortured old Jews in the streets of Krakow. Gebirtig's song "It Hurts" expresses what most Jews have always felt and what courageous Poles like Jan Blonski have clearly said on this painful subject: the Poles could not have saved the Jews from their fate and are not responsible for that fate, but they could certainly have shown more compassion to the Jews in their agony.


















































http://www.youtube.com/watch?v=U8VQz69Id7c Kinderjohren yiddish song from Cracow








http://www.youtube.com/watch?v=HJlIOMaqj0E Yiddish Lullaby





















http://www.youtube.com/watch?v=mNKNypH1Juo Yiddish Song: Mein Shtetl Belz, 1928 Not



Gebirtig





















http://www.youtube.com/watch?v=UcDKIuAVZQY Dray Tekhterlekh - Yiddish song from


Cracow


http://www.youtube.com/watch?v=P_rTHdUBIWI Farewell Cracow! Yiddish songs by



Mordechai Gebirtig

The cream of the Baroque

Bach on Organ and Handel's Oratorio the Messiah and Purcell

http://www.youtube.com/watch?v=ipzR9bhei_o Bach, Toccata and Fugue in D minor, organ

http://www.youtube.com/watch?v=OQVQOW1c0DQ Handel Unto Us A Child Is Born

http://www.youtube.com/watch?v=C6yIgN54R7k Handel And The Glory of the Lord

http://www.youtube.com/watch?v=nlfxe8ujn7M Handel's Messiah "Amen"

http://www.youtube.com/watch?v=oPiQE4HjcxA " And He Shall Purify

http://www.youtube.com/watch?v=JT0Gm2pFsV0 " Every Valley Shall Be Exalted

http://www.youtube.com/watch?v=4WkyTwXa4Tw " Lift up your Heads

http://www.youtube.com/watch?v=Ls3PH-SLMX4 Henry Purcell Harpsichord

http://www.youtube.com/watch?v=bqKc2D8mMug " " Arioso and Gigue

http://www.youtube.com/watch?v=bqKc2D8mMug " " The Lass of Patie's Mill

http://www.youtube.com/watch?v=ruODWcDpE9U " " Misc Harpsichord

http://www.youtube.com/watch?v=hzCjM0-EbUE " " Harpsichord Music And The

Nature

http://www.youtube.com/watch?v=3rLqLXmAja4 " " Harpsichord music/paintings

http://www.youtube.com/watch?v=ELWbrfZ2OL0 Medieval dulcimer

Wednesday, December 2, 2009

Shipibo healers --indigenous communities and real healing of an incurable brain tumor AYAHUASCA





II Description of haling properties of ayahuasca vine and plant-they work in symbiosis releasing

DMT gateway to spiritual world- Nothing comparabe in Western medicine which does not comprehend the healing dimension afforded by linking the two worlds . The indigenous peoples always sought and saw this link clearly

III Potent liquid brew described of this entheogen.

IV Master healer and teacher -hallucinogenic a misnomer

V Led to temple of the way of Light by synchronistic experiences which always seems a recurrent pattern on quests of this dimension.

VI Matthew Watherston Vision of the temple its ethos

VII Use of female indigenous healers- Shamanic healing

VIII Background of the temple Workshops near Iquitos

IX Moloka housing the ceremonies

X Physiological flushing rancid decay. Knowing of healing from bones not intellectual.

XI Decsription of the Shipibo healers

XII Description of Shipibo ceremonies icaros sacred songs otherworldy ambience.









And so, I came to South America with urgency, acutely aware the decision to
reject the western approach in the 11th hour might mean imminent death. But if
my illness were to seal this fate, then I knew ayahuasca would give me peace.
Ayahuasca, also known as "vine of the soul" or "vine of the dead," is a
visionary plant and master curative. The active agent, DMT (dimethyltryptamine),
is also the chemical that is released from the pineal gland during birth and
death. In other words, DMT produces the consciousness that we experience at our
major transition points between the material world and the spirit world.
Ayahuasca is, therefore, literally a gateway to the spirit and as such, a very
sacred medicine.
This potent liquid brew is comprised of two plants:
ayahuasca (banisteriopsis caapi), a vine, and chakruna (psychotria viridis), a
leaf. Sometimes other plants with different healing qualities are added.
Chemically speaking, chakruna contains DMT, which is normally suppressed from
activity in the body, by the MAO (monoamineoxidase) enzyme, but the vine
ayahuasca contains natural MAO inhibitors, in the form of harmalines, which
literally contain light. They allow the disintegration of the DMT to be
by-passed, resulting in a psychoactive state. But it is naive to reduce the
magical properties of this symbiotic combination of plants to mere
chemistry




Ayahuasca and other plants that produce trance states are grossly
misrepresented in the West, often understood to be simply "hallucinogenic." This
is a derogatory term for a medicine that is actually a master healer and
teacher. The correct conceptual term for this class of plant medicine is
"entheogen," meaning "revealing the divine within" And indeed this is what
ayahuasca does; it clears toxicity on every level, removes the dross, the stuck
patterns and programs, the negative thoughts and behaviors, and indeed, anything
that prevents us from being who we truly are, by revealing the full potential of
humans as divine creators. The spirit of ayahuasca is perceived as a female, a
mother, or a grandmother (Abuela). This is because it is a very loving spirit,
and compassionate, though the lessons and the cleaning process are not always
easy. However, the depth of the process reflects the depth of the
transformation. The results are always astonishing.





The Journey to the Right Place
Coming to South America, I had no
specific destination in mind. I prayed that somehow I would find the right
people and places, following the advice of an experienced friend who told me,
"let the plant guide you." I arrived in Iquitos, a jungle city, accessible only
by boat or plane, in Northern Peru, that is also renowned as a hub for
ayahuasca. From here, I intended to go over the border into Amazonian Brazil to
meet that friend, who was going to bring me to a powerful ayahuascero that she
knew. However, our paths were never to cross as a couple of twists of fate
thwarted my plans and instead led me to the Temple of the Way of Light
.
I
met the Temple's founder, Matthew Watherston, in Iquitos and he accompanied me
to the premises, where its very first group retreat, in its present form, was
underway. On the journey, he told me a little about the background of the Temple
and its unique ethos. Matthew believes medicine and healing should be accessible
to people of all walks of life, all races, and all financial circumstances, and
so his vision was to create a place where money was not a barrier for anyone
desiring true healing. And so, the Temple is not-for-profit, and is certainly
the best value in Iquitos. This contrasted sharply with the rest of the
ayahuasca based centers in the area, which are expensive and run as businesses.
My cure was absolutely priceless; I would have paid anything for it, regardless
of the financial repercussions. I just wanted to be sure I was spending my money
wisely.




It pleased me that the Temple matched my own ideals concerning money and
access to health services. And the greater vision for it also impressed me.
Matthew plans to build a hospital to treat all sorts of dis-ease and illness,
including those of chronic degenerative type, and to build a self sustaining
community that would produce jungle superfoods and provide everything needed to
create a truly healing environment. It also has a fundraising arm in the West,
with a view to setting up projects in the indigenous communities such as water
purification, dengue eradication projects, permaculture, cottage industries,
etc., and to build a network of schools to restimulate the youth's interest in
their traditional medical culture, focusing on plants, botanical gardens, and
their cosmological vision of the world. But there was another aspect of the
Temple's works which set it apart.




Ceremonies are led by at least four female indigenous healers and one male.
This is an unusual and special situation as normally there is one central figure
leading ayahuasca ceremonies. The ratio of healer to participant is thus very
high, and as such the quality of the healing is deeper. The fact that it is
mainly women led was also very unusual. Shamanic traditions, like every other
facet of life in the modern world, have a tendency to be male dominated. On the
other hand, women, Matt says, "have a gentler and more caring approach, working
primarily from the heart with loving compassion, and therefore, offering a safe
and comfortable environment in which to deal with personal issues." Being a
woman, I was excited to work with female adepts, but, I was also doubtful as I
had heard many grand proclamations of healing ability before, which had never
lived up to the hype




Matthew expounded on the history of the Temple, which began life in Feb
2007, when he bought a place near to Iquitos. He started to run workshops with
the original male curandero
[i] connected to the property, but
as time went on he became more and more concerned about the integrity of this
individual, as he witnessed incidents that "showed his machismo, ego, control,
and a begging bowl." It was totally at odds with the sacred process guided by
ayahuasca, which involves opening to the higher self. After a couple of sinister
occurrences involving alcohol and sexual inappropriateness, Matthew replaced him
with a female curandera. It turned out she was not a true healer. However, the
energetic content of the ceremony was completely different, and he realized that
women brought a purer quality to the ceremonies as well as a significant lack of
ego. Shortly after this, a series of synchronicities led him to a group of
female indigenous healers, and drinking with them, he says, he "had my head
blown off my shoulders by several Mother Theresas of the jungle, who were
clearly the real deal, and who typically had not worked with Westerners. Some of
them spoke only their indigenous language, not even able to speak Spanish." He
recounted that he was "blessed with an incredible vision and healing that was
connected to divine feminine energy." He was clearly shown that the world's
suffering was due to domination of the negative aspects of the masculine, and
that it was his mission to promote the work with female healers, thus connecting
with Mother Earth and Mother Ayahuasca as a way to redress this global imbalance
and bring in the divine feminine, in line with the transformation that is
happening across the planet. These were the women he brought to work at the
Temple, to the workshop I landed into.




We conversed over the hour-long journey by boat from Iquitos, which
navigates a sprawling river that spills into the surrounding jungle. Another
half hour walk through jungle brought us to a gently undulating glade where an
impressively large "moloka" -- a circular building made of timber and giant
fronds -- was the first sign of civilization to greet us. The moloka holds the
ceremonies and it overlooks a natural swimming pool that has been created by
damning the central stream. Dotted around the lush jungle setting of wooden
bridges and diverse flora are smaller wooden and mosquito netted "tambos,"
simple individual accommodations where guests are
housed.
I was only going
to stay for one ceremony, because at that point I still intended to move on. But
ayahuasca had other plans for me. That night was the most powerful sacred
medicine experience that I had had to date. This was due to a potent combination
of the medicine and the Maestra's[ii] work with me. Mostly, I felt,
and even distinctly smelt, volumes of rancid decay pouring out of my body. From
a Chinese perspective, my condition is conceived as a stagnant one, and this is
exactly what I felt was being cleaned out of me; old, stale and putrefied
energy. Sweating profusely, I expelled a lot of phlegm, water streamed out of my
eyes, and, I vomited heavily. Somewhere deep in the midst of this strong
physiological flushing, I understood that this is where I would be cured. This
knowing came from my bones, and not from any intellectual place
. But, the
message was loud and clear; I had to stay. Somehow, my body knew that I had
found real healers, not merely facilitators, but people who could actually cure.




Shipibo Healers
This was my first encounter with
healers from an ethnic group I had never heard of before; The Shipibo, a jungle
dwelling indigenous people numbering about 45,000 individuals. They live in
Amazonian Peru, in tiny villages dotted along the upper and lower Rio Ucayali, a
large river that becomes the Amazon just before it enters Brazil. The Shipibo
are an egalitarian culture, with a traditionally strong connection to the plant
spirits of the jungle and the mysteries of plant medicine. Not many Shipibos are
"Onanyas" (healers), as it is a highly specialized ability that is mostly
inherited and learned through family lineages. Their vocation is developed by
going through "dieta" with ayahuasca, which entails following certain food and
lifestyle restrictions to foster a deep understanding and connection with the
spirit of ayahuasca. Dietas may be followed with other plants too, each of which
has a unique spirit and a unique healing gift to bestow on the seeker. The
healers diet, mostly, in solitude, for a number of years, and, whilst under the
guidance of a more experienced Onanyo(a), they actually learn all of their
knowledge and capability directly from the plants that they diet. And so, they
possess esoteric knowledge, healing abilities, and techniques inaccessible to
the populace at large, due to their deep relationship with the spirit of
ayahuasca and the other plant spirits of the jungle. As such they are called
Maestros.*




Shipibo ceremonies are simple and unembellished. At the
temple, mattresses for the participants are arranged in a large circle, with the
Maestros stationed in the middle. After dark, small shot glasses of ayahuasca
are distributed. The medicine takes about an hour to take effect, and as it
does, the Maestros being to sing their beautiful "icaros." These are sacred
songs and musical weavings that fill the ceremonies with otherworldly ambiance.

Icaros are in fact powerful healing tools, given directly by the plants to the
healers, that can be understood as prayers or instructions that direct
ayahuasca's work in each individual
. The Maestros describe themselves as
channels for the spirit of ayahuasca, and they work by attending to each person
and applying their magic through the icaros and complementary healing techniques
such as blowing tobacco smoke, applying floral colognes, and massage.









Sunday, November 29, 2009

Abraham Polonsky










Abraham Polonsky was a cinematic genius, in my view, a writer, and ciritquer of the unjust aspects of US policies and practices, and got netted in the trap of HUAC. Note some of his film productions,novels, and screenplays and the article referenced. I consider men such as him enhances the growth of us all with his exposes of microsocopic truth.
For further reading: A Very Dangerous Citizen: Abraham Lincoln Polonsky and the Hollywood Left by Paul Buhle, Dave Wagner (2001); Literature Film Quarterly Vol. XXIV (1996); Musta käytävä by Matti Salo foreword by Abraham Polonsky (1991); Radical Innocence by Bernard F. Dick (1989); The Director's Event: Interviews With Five American Film-Makers by Eric Sherman & Martin Rubin (1970); Creative Differences by Barbara Zheutin and David Talbot (1978); Directing the Film by Ed Sherman (1976) - See also: Hollywood blacklist - Other blacklisted screenwriters: Paul Jarrico, Michael Wilson, Hugo Butler, Dalton Trumbo.
Selected films as screenwriter:
GOLDEN EARRINGS,1947 (co-sc.)
BODY AND SOUL, 1947 - remade in 1981 and for TV in 1998.
I CAN GET IT TO YOU WHOLESALE, 1951
ODDS AGAINST TOMORROW, 1959 (uncredited, novel by William P. McGivern)
MADIGAN, 1968
AVALANCHE EXPRESS, 1979
MONSIGNOR, 1982 (co-sc.)
MOMMIE DEAREST, 1981 (uncredited)
BODY AND SOUL, 1981 (from Polonsky's original screenplay)
As director-screenwriter:
FORCE OF EVIL, 1948 (based on Ira Wolfert's novel Tucker's People)
TELL THEM WILLIE BOY IS HERE, 1970 (based on Harry Lawton's novel)
ROMANCE OF A HORSETHIEF, 1971 (screenplay by David Opatoshu, based on his father's novel)
Novels, essays, and plays:
THE GOOSE IS COOKED,1940 (with Mitchell A Wilson - pseudonym Emmett Hogarth)
THE ENEMY SEA, 1943 (novel)
THE CASE OF DAVID SMITH, 1946 (radio play)
PIÉCE DE RÉSISTANCE, 1945, 1947-50, 1981 (play)
A LITTLE FIRE, 1946 (short story)
THE MARVELOUS BOY, 1946 (short story)
THE WORLD ABOVE, 1951 (novel)
HEMINGWAY AND CHAPLIN, 1953 (essay)
A SEASON OF FEAR, 1956 (novel)
UNE EXPÉRIENCE UTOPIQUE, 1962 (essay)
HOW THE BLACKLIST WORKED IN HOLLYWOOD, 1970 (essay)
MAKING MOVIES, 1971 (essay)
ZENIA´S WAY, 1980 (novel)
CHILDREN OF EDEN, 1982 (unfinished novel)
TO ILLUMINATE OUR TIME: THE BLACKLISTED TELEPLAYS OF ABRAHAM POLONSKY, 1993
Unproduced screenplays:
THE PARIS STORY, 1945-45
THE WAYFARERS, 1946
MARIO AND THE MAGICIAN, 1950-58 (based on Thomas Mann's novel)
REVIVAL (in the 1950s with Walter Bernstein)
THE GLADIATORS, 1958-60 (based on Arthur Koestler's novel from 1938)
MAD KING PAUL, 1959
THE BROTHERS, 1959-71
THE JAMAICA STORY (in the 1960s)
KING FISHER'S ROAD, 1966-67
CHILDHOOD'S END, 1967-75 (based on Arthur C. Clarke's novel from 1953)
WASAJA, 1960/1970
O JERUSALEM, 1976 (based on Larry Collins's and Dominique Lapierre's book from 1972)
THE MAN WHO LIVED AT THE RITZ, 1982 (produced in England in 1988, not based on Polonsky's script)
ASSASSINATION ON EMBASSY ROW, 1982
SEASON OF FEAR, 1985-89 (produced in 1991 under the title Guilty By Suspicion, Polonsky withdrew from the project)

Friday, November 27, 2009

Young Man With A Horn Kirk Douglas

http://filmsnoir.net/film_noir/the-dreams-are-theirs.html/comment-page-1#comment-2675
http://en.wikipedia.org/wiki/List_of_American_films_of_1950



'50 was a fertile year for films of all types and especially noir.
A-B
Title
Director
Cast
Genre
Note
8 Ball
Bunny

Chuck Jones
Looney
Tunes

Animation
Abbott
and Costello in the Foreign Legion

Charles Lamont
Abbott and Costello, Patricia Medina
Comedy
All
About Eve

Joseph L.
Mankiewicz

Bette Davis, Anne
Baxter
, Gary Merrill, Celeste
Holm
, Hugh Marlowe, George
Sanders
Drama
Academy
Award
for Best Picture
Ambush
Sam Wood
Robert Taylor, John
Hodiak
, Arlene Dahl
Western
Wood's last
film
American
Guerrilla in the Philippines

Fritz Lang
Tyrone
Power

War
aka I Shall Return in
UK
Annie Get Your
Gun

George Sidney
Betty
Hutton
, Howard Keel
Musical
Based on 1946 musical
Armored Car
Robbery

Richard
Fleischer

Charles McGraw, Adele
Jergens

Film Noir
Among first heist films
The Asphalt
Jungle

John Huston
Sterling Hayden, Louis
Calhern
, Sam Jaffe, James
Whitmore
, Jean Hagen, Marilyn Monroe
Film Noir
Based on novel of
same name

At War with the
Army

Hal Walker
Dean Martin, Jerry
Lewis

Musical comedy
Atom Man vs.
Superman

Spencer Gordon
Bennet

Kirk Alyn, Lyle
Talbot

Superhero
The Baron of
Arizona

Samuel Fuller
Vincent
Price
, Ellen Drew
Western
Big
House Bunny

Friz Freleng
Looney
Tunes

Animation
The Big
Lift

George Seaton
Montgomery Clift, Paul
Douglas

War
Shot on location in Berlin
Boobs in the
Woods

Robert McKimson
Looney
Tunes

Animation
Born to Be
Bad

Nicholas Ray
Joan
Fontaine
, Robert Ryan
Drama
Based on the novel
All Kneeling.
Born
Yesterday

George Cukor
William Holden, Judy
Holliday
, Broderick
Crawford

Musical comedy
Academy
Award
for Best Actress
Branded
Rudolph Maté
Alan Ladd, Mona
Freeman
, Charles Bickford
Western
Based on
novel Montana Rides Again
The Brave
Engineer

Jack Kinney
The King's Men
Animation
Walt
Disney
. Based on life of Casey Jones
The Breaking
Point

Michael Curtiz
John
Garfield
, PatriThe Breaking cia Neal
Film Noir
Based on novel To
Have and Have Not
Bright Leaf
Michael Curtiz
Gary
Cooper
, Lauren Bacall, Patricia
Neal

Drama
Based on 1949
novel
Broken
Arrow

Delmer Daves
James Stewart, Jeff
Chandler

Western
Bushy
Hare

Robert McKimson
Looney
Tunes

Animation
[edit]
C-G
Title
Director
Cast
Genre
Note
Caged
John
Cromwell

Eleanor Parker, Agnes Moorehead
Film Noir
Adapted from
story Women Without Men
Canary Row
Friz
Freleng

Looney Tunes
Animation
Captain Carey,
U.S.A.

Mitchell Leisen
Alan Ladd, Wanda
Hendrix

Drama
Oscar for Best Song
("Mona Lisa")
The Capture
John
Sturges

Lew Ayres, Teresa
Wright

Drama
Champagne for
Caesar

Richard Whorf
Ronald
Colman
, Celeste Holm
Comedy
Cheaper by
the Dozen

Walter Lang
Clifton
Webb
, Myrna Loy
Comedy
Based on 1948 novel
Cinderella
3
directors
Ilene Woods
Animation
Walt
Disney

Cody of the Pony
Express

Spencer Gordon
Bennett

Jock O'Mahoney, Dickie Moore
Serial
Colt
.45

Edwin L. Marin
Randolph Scott, Ruth
Roman

Western
Followed by
TV series
Comanche
Territory

George Sherman
Maureen O'Hara, Macdonald Carey
Western
Convicted
Henry
Levin

Glenn Ford, Broderick
Crawford

Film Noir
Based on play The
Criminal Code
The Crime of
Korea

War
Korean War propaganda
Crisis
Richard Brooks
Cary
Grant
, José Ferrer
Drama
Based on short story
The Doubters

Cue Ball Cat
Hanna Barbera
Tom and
Jerry

Animation
Cyrano de
Bergerac

Michael Gordon
José
Ferrer
, Mala Powers
Drama
Oscar for Best
Actor
D.O.A.
Rudolph Maté
Edmond O'Brien, Pamela
Britton

Film Noir
The Damned Don't
Cry!

Vincent Sherman
Joan
Crawford
, David Brian
Film Noir
Based on story by
Gertrude Walker
Dark City
William Dieterle
Charlton Heston, Lizabeth Scott
Film Noir
Heston's first
film
A Date with Your
Family

Edward
G. Simmel

Ralph Hodges
Short
Desperadoes of the
West

Fred C. Brannon
Richard Powers, Judy Clark
Western
Destination
Moon

Irving Pichel
Dick
Wesson

Science
Fiction

Devil's Doorway
Anthony
Mann

Robert Taylor, Louis
Calhern

Western
Dopey
Dicks

Edward Bernds
Three Stooges
Comedy
Duchess of Idaho
Robert Z.
Leonard

Van Johnson, Esther Williams
Musical
The
Ducksters

Charles M. Jones
Looney
Tunes

Animation
Edge of
Doom

Mark Robson
Dana
Andrews
, Farley Granger
Film Noir
Fancy
Pants

George Marshall
Lucille
Ball
, Bob
Hope

Comedy
Father Is a
Bachelor

Abby
Berlin
, Norman
Foster

William Holden, Coleen
Gray

Romantic comedy
Father of
the Bride

Vincente
Minnelli

Elizabeth Taylor, Spencer
Tracy

Comedy
Remade in 1991
The File on Thelma
Jordon

Robert Siodmak
Wendell
Corey
, Barbara Stanwyck
Film Noir
The
Fireball

Tay Garnett
Mickey
Rooney
, Pat O'Brien
Drama
The Flame and the
Arrow

Jacques Tourneur
Burt
Lancaster
, Virginia Mayo
Adventure
Flying Disc Man
from Mars

Fred C. Brannon
Walter
Reed
, Lois Collier
Adventure
Serial
The Flying
Saucer

Mikel Conrad
Mikel
Conrad

Science
Fiction

First film with flying saucers
For Heaven's
Sake

George Seaton
Clifton
Webb
, Joan Bennett
Fantasy
Adapted from
play May We Come In?
Fortunes of
Captain Blood

Gordon Douglas
Louis
Hayward
, Patricia Medina
Adventure
Remake of
1935's Captain Blood
A Fractured
Leghorn

Robert McKimson
Foghorn Leghorn
Animation
The
Framed Cat

Hanna Barbera
Tom and
Jerry

Animation
Francis
Arthur
Lubin

Donald O'Connor, Patricia Medina
Comedy
Launched the
Talking Mule series
Frenchie
Louis
King

Shelley Winters, Joel
McCrea

Western
Loosely based
on Destry Rides
Again

The Fuller Brush
Girl

Lloyd Bacon
Lucille
Ball

Comedy
Cameo by Red
Skelton

The Furies
Anthony
Mann

Walter Huston
Western-Film Noir
Huston's last
performance
The Golden Gloves
Story

Felix E. Feist
James Dunn, Dewey Martin
Drama
Golden
Yeggs

I. Freleng
Looney
Tunes

Animation
Grandad of Races
André
de la Varre

Art Gilmore
Short
Oscar for Best Short
(1 Reel)
The Great Rupert
Irving
Pichel

Jimmy Durante, Tom Drake, Terry Moore
Comedy
Guilty Bystander
Joseph
Lerner

Zachary Scott, Faye
Emerson

Film Noir
Gun
Crazy

Joseph H. Lewis
Peggy
Cummins
, John Dall
Film Noir
aka Deadly Is the
Female
The
Gunfighter

Henry King
Gregory
Peck
, Helen Westcott, Millard Mitchell, Karl
Malden

Western
Gunman in the
Streets

Frank Tuttle
Dane
Clark
, Simone Signoret
Film Noir
Shot on location
in Paris
[edit]
H-M
Title
Director
Cast
Genre
Note
Harriet Craig
Vincent Sherman
Joan
Crawford

Drama
Based on the 1925
play Craig's Wife
Harvey
Henry
Koster

James
Stewart

Fantasy
Based on the
1944 play
High Lonesome
Alan Le
May

John Drew
Barrymore

Western
Highway 301
Andrew L. Stone
Steve
Cochran
, Virginia Grey
Film Noir
Hillbilly Hare
Robert McKimson
Looney
Tunes

Animation
The Hollywood
Ten

John
Berry

Documentary
Homeless
Hare

Chuck Jones
Looney
Tunes

Animation
House by the
River

Fritz Lang
Louis
Hayward
, Jane Wyatt
Film Noir
Hugs and
Mugs

Jules White
Three Stooges
Comedy
Hurdy-Gurdy Hare
Robert McKimson
Looney
Tunes

Animation
I Killed
Geronimo

John Hoffman
James Ellison, Chief
Thundercloud

Western
I'll Get By
Richard
Sale

June Haver, William Lundigan
Musical
In
Beaver Valley

James Algar
Winston Hibler
Short
Oscar for Best Short
(2 Reels)
In a Lonely
Place

Nicholas Ray
Humphrey Bogart, Gloria
Grahame

Film Noir
Adapted from 1947 novel
The Invisible
Monster

Fred C. Brannon
Richard Webb, Aline
Towne

Adventure
Serial
The Jackie
Robinson Story

Alfred E. Green
Jackie Robinson
Biography
Starring Robinson
as himself
The Jackpot
Walter
Lang

James Stewart, Barbara
Hale

Comedy
Features a young Natalie
Wood

Jerry and the
Lion

Hanna Barbera
Tom and
Jerry

Animation
Jerry's Cousin
Hanna Barbera
Tom and
Jerry

Animation
Julius
Caesar

David
Bradley

Harold
Tasker
, Charlton Heston
Drama
Shot in Chicago
The Killer
That Stalked New York

Earl
McEvoy

Evelyn Keyes, Charles Korvin
Film Noir
Based on Cosmo
article
Kill the Umpire
Lloyd
Bacon

William Bendix, William Frawley
Comedy
Kim
Victor
Saville

Errol Flynn, Dean
Stockwell

Adventure
Based on
the novel
King
Solomon's Mines

Compton Bennett
Deborah
Kerr
, Stewart Granger
Adventure
Based on
the 1885 novel
Kiss Tomorrow
Goodbye

Gordon
Douglas

James Cagney, Barbara Payton
Drama
A Lady Without
Passport

Joseph H. Lewis
Hedy
Lamarr
, John Hodiak
Film Noir
Shot in semidocumentary
style
A Life of Her
Own

George Cukor
Lana
Turner
, Ray Milland
Drama
Little
Quacker

Hanna Barbera
Tom and
Jerry

Animation
Louisa
Alexander Hall
Ronald
Reagan
, Spring Byington
Comedy
Piper
Laurie
's film debut
Love at First
Bite

Jules White
Three Stooges
Comedy
Love
Happy

David
Miller

Marx Brothers
Comedy
Last Marx Brothers
film
The
Magnificent Yankee

John Sturges
Louis
Calhern
, Ann Harding
Biographical
Based
on novel Mr. Justice Holmes
The Men
Fred
Zinnemann

Marlon Brando, Teresa
Wright

War
Brando's film
debut
The Miniver
Story

H.C. Potter
Greer
Garson
, Walter Pidgeon
Drama
Sequel to Mrs.
Miniver

Mister 880
Edmund Goulding
Burt
Lancaster
, Dorothy McGuire
Comedy
Motor
Mania

Jack Kinney
Goofy
Animation
Walt
Disney

Mutiny on the
Bunny

Friz Freleng
Looney
Tunes

Animation
My Friend Irma Goes
West

Hal
Walker

Dean Martin, Jerry
Lewis

Comedy
Sequel to My
Friend Irma

Mystery Street
John
Sturges

Ricardo Montalban, Sally
Forrest

Film Noir
[edit]
N-S
Title
Director
Cast
Genre
Note

Nancy Goes to
Rio

Robert Z.
Leonard

Ann Sothern, Jane
Powell

Musical
Remake of 1940's It's a
Date

Never a Dull
Moment

George Marshall
Irene
Dunne
, Fred MacMurray
Comedy
Based on the 1943
novel Who Could Ask For Anything More?
The Next Voice
You Hear...

William A.
Wellman

James Whitmore, Nancy
(Davis) Reagan

Drama
No Man of Her
Own

Mitchell Leisen
Barbara Stanwyck, John
Lund

Film Noir
Remade in 1996 as Mrs.
Winterbourne

No Way Out
Joseph L.
Mankiewicz

Richard Widmark, Linda
Darnell

Film Noir
Film debut of Sidney
Poitier

One Too Many aka Killer
with a Label
Erle C. Kenton
Ruth
Warrick

Drama
One Way Street
Hugo
Fregonese

James Mason, Märta Torén
Film Noir
Our Very
Own

David
Miller

Ann Blyth, Farley
Granger

Drama
Outrage
Ida
Lupino

Mala Powers, Tod
Andrews

Drama
Panic in the
Streets

Elia Kazan
Richard Widmark, Paul
Douglas

Film Noir
Shot in New
Orleans

Perfect
Strangers

Bretaigne
Windust

Ginger Rogers, Dennis
Morgan

Drama
Pirates of the High
Seas

Spencer Gordon
Bennet
, Thomas Carr
Buster
Crabbe
, Lois Hall
Serial
Pop 'im Pop
Robert McKimson
Looney
Tunes

Animation
Prehistoric
Women

Gregg C. Tallas
Laurette Luez, Allan
Nixon
Science
Fiction

Remade in 1967
Punchy
Cowpunchers

Edward Bernds
Three Stooges
Comedy
Puny
Express

Walter Lantz, Dick
Lundy

Woody the
Woodpecker

Animation
Quicksand
Irving
Pichel

Mickey Rooney, Peter
Lorre

Crime
Rabbit of
Seville

Charles M. Jones
Looney
Tunes

Animation
Rabbit's Moon
Kenneth
Anger

Looney Tunes
Animation
Riding
High

Frank Capra
Bing
Crosby
, Coleen Gray
Comedy
Remake of 1934's Broadway Bill.
Right
Cross

John Sturges
June
Allyson
, Ricardo
Montalban

Drama
Marilyn Monroe in small
role
Rio Grande
John
Ford

John Wayne, Maureen O'Hara
Western
Based on
story Mission With No Record
Rocketship X-M
Kurt
Neumann

Lloyd Bridges, Osa
Massen

Science
Fiction

Shot in 18 days
Rocky
Mountain

William Keighley
Errol
Flynn
, Patrice Wymore
War
Rogues of Sherwood
Forest

Gordon
Douglas

John Derek, Diana
Lynn

Drama
Safety
Second

Hanna Barbera
Tom and
Jerry

Animation
Saturday Evening
Puss

Hanna Barbera
Tom and
Jerry

Animation
The Scarlet
Pumpernickel

Charles M. Jones
Looney
Tunes

Animation
The Second Woman
James
V. Kern

Robert Young, Betsy
Drake

Film Noir
The
Secret Fury

Mel Ferrer
Claudette Colbert, Robert
Ryan

Film Noir
José
Ferrer
in uncredited role
Self-Made Maids
Jules
White

Three Stooges
Comedy
Shadow on the
Wall

Pat
Jackson

Ann Sothern, Zachary
Scott

Mystery
Based on Death
in the Doll's House
Side
Street

Anthony Mann
Farley
Granger
, Cathy O'Donnell
Film Noir
Slaphappy
Sleuths

Jules White
Three Stooges
Comedy
The Sleeping
City

George Sherman
Richard
Conte
, Coleen Gray
Film Noir
Shot in semidocumentary
style
A Snitch in Time
Edward
Bernds

Three Stooges
Comedy
So
Young, So Bad

Bernard Vorhaus
Paul
Henreid
, Catherine McLeod
Drama
The Sound of
Fury

Cy Endfield
Frank
Lovejoy
, Kathleen Ryan
Film Noir
aka Try and Get
Me
Southside 1-1000
Boris
Ingster

Don DeFore, Andrea
King
, George Tobias
Film Noir
The
Stairs

Nominated for Best Documentary Short
Stars In My
Crown

Jacques Tourneur
Joel
McCrea
, Ellen Drew
Western
Based on
novel of same name
Strife with
Father

Bob McKimson
Merry Melodies
Animation
Studio
Stoops

Edward Bernds
Three Stooges
Comedy
Sugar
Chile Robinson, Billie Holiday, Count Basie and His Sextet

Will
Cowan

Billie Holiday, Frank
Robinson

Short
Summer
Stock

Charles Walters
Judy
Garland
, Gene Kelly
Musical
Garland's last
MGM film
Sunset
Boulevard

Billy Wilder
William Holden, Gloria
Swanson

Film Noir
Won 3 Academy Awards
[edit]
T-Z
Title
Director
Cast
Genre
Note
Tarzan and the
Slave Girl

Lee Sholem
Lex
Barker
, Vanessa Brown
Adventure
Tea for Two
David
Butler

Doris Day, Gordon
MacRae

Musical-Comedy
Based on musical No, No Nanette
Tension
John
Berry

Richard Basehart, Audrey
Totter
, Cyd Charisse
Film Noir
The Texan
Meets Calamity Jane

Ande Lamb
Evelyn Ankers
Western
Ankers' last
appearance for 10 years
Texas Tom
Hanna Barbera
Tom and
Jerry

Animation
Three Came Home
Jean
Negulesco

Claudette Colbert, Patric
Knowles

Drama
In public
domain

Three Hams on
Rye

Jules White
Three Stooges
Comedy
Three Little
Words

Richard Thorpe
Fred
Astaire
, Red Skelton, Vera-Ellen
Musical
Astaire won
first Golden Globe for Best Actor in a Musical or Comedy
The Titan:
Story of Michelangelo

Robert J.
Flaherty

Fredric March
Documentary
Oscar
for Best Documentary Feature
The Toast of New
Orleans

Norman Taurog
Kathryn Grayson, Mario
Lanza

Musical
To
Please a Lady

Clarence Brown
Clark
Gable
, Barbara Stanwyck
Drama
Tom and
Jerry in the Hollywood Bowl

Hanna Barbera
Tom and
Jerry

Animation
Treasure
Island

Byron Haskin
Bobby
Driscoll
, Robert Newton
Adventure
Walt
Disney

Triple Crossed
Jules
White

Three Stooges
Comedy
Two
Flags West

Robert Wise
Joseph
Cotten
, Linda Darnell
War
Two Weeks with
Love

Roy
Rowland

Jane Powell, Ricardo
Montalban

Musical
Based on story
by John (Francis) Larkin
Under My Skin
Jean
Negulesco

John Garfield, Micheline Presle
Drama
Based on Hemingway short
story
The Underworld
Story

Cy Endfield
Dan
Duryea
, Herbert Marshall, Gale
Storm

Film Noir
Union Station
Rudolph Maté
William Holden, Barry Fitzgerald
Film Noir
Based on novel
Nightmare in Manhattan

Vendetta
Mel
Ferrer

Faith Domergue, George
Dolenz

Crime
Based on 1840
novella Colomba
Wabash Avenue
Henry
Koster

Betty Grable, Victor
Mature
, Phil Harris
Musical
Wagon
Master

John Ford
Ben Johnson, Harry Carey Jr.
Western
Followed by
TV series Wagon Train
Walk Softly,
Stranger

Robert
Stevenson

Joseph Cotten, Alida
Valli
, Spring Byington
Drama
What's Up
Doc?

Robert McKimson
Looney
Tunes

Animation
When Willie
Comes Marching Home

John Ford
Dan
Dailey
, Corinne Calvet
Comedy
Where Danger
Lives

John Farrow
Robert
Mitchum
, Faith Domergue
Drama
Domergue's film
debut
Where the Sidewalk
Ends

Otto Preminger
Dana
Andrews
, Gene Tierney, Gary
Merrill

Film Noir
Based on novel
Night Cry
The White
Tower

Ted Tetzlaff
Glenn
Ford
, Alida Valli
Adventure
Based on
novel of same name
Why Korea?
Edmund
Reek
Joe
King

Documentary
Oscar
for Best Documentary, Short Subject
Winchester
'73

Anthony Mann
James Stewart, Dan
Duryea
, Shelley Winters
Western
Early roles
for Rock
Hudson
, Tony Curtis
With These Hands
Jack Arnold
Sam
Levene

Documentary
The
Wizard of Oz (TV Special)

Burr Tillstrom
Short
Adaptation using
puppets
Woman on the Run
Norman
Foster

Ann Sheridan, Dennis O'Keefe
Film Noir
The Yellow Cab
Man

Jack Donohue
Red
Skelton
, Gloria DeHaven
Comedy
Young Man with
a Horn

Michael Curtiz
Lauren
Bacall
, Doris Day, Kirk
Douglas

Drama
Based on
autobiography