Friday, November 14, 2014

Anoushka Shankar


https://www.youtube.com/watch?v=whLhMVLQSbA

Published on May 29, 2012
An excerpt of Ravi Shankar's "Concert for World Peace"
North Indian Classical Music

https://www.youtube.com/watch?v=AHE-CbKC8Vc

Concert extraordinar 3 - partial

THE FARTHER ONE TRAVELS THE LESS ONE KNOWS  

Poob P.Poobalan

4 days ago
I must say that Anoushka is a great Sitar Player and hope she will go on for a long long time. God Bless Her and her looks and her music. By the way, Where's Paul McCartney in here?
Pedro Eustache from South America did a good job with flutes and at 21.10 that is a very very old (three thousand year old) 'Armenian flute called Duduk' (made of Apricot Tree) played by Pedro and was used when he performed 'Prelude' with 'Yanni' in many live concerts. Bravo and I love them, these people are gods...



http://www.youtube.com/watch?v=8CnhcGpmH9Y

https://www.youtube.com/watch?v=LkDnK8Q57HE&list=PL20FAD99F27CE231A&index=17&spfreload=1

Duet - Sitar & Sarod

I was still very young when I heard ravi and being from the west it struck me that this music had a mystical quality to it, a transcendent ability to transport the listener to a peaceful state of mind, the sound of harmony and brotherhood that is the very essence of the universe!!


It is rather interesting how someone could receive so many views and comments simply by being a son/daughter of a legend.  There are many extremely talented instrumentalists and musicians that don't get this kind of exposure simply because they don't have a famous father or mother :)   All you have to do is search "mandolin srinivas"  and witness legendary indian music at its best.   Ravi Shankar himself once stated as such.


This is soooo beautiful!!! "Magical" as someone below rightly says. :-)    (And no mix in of any European something or other!!! )

Reply
 · 
1

She's like from another planet.
Reply
 · 

This is soooo beautiful!!! "Magical" as someone below rightly says. :-)    (And no mix in of any European something or other!!! )
Reply
 · 

Anoushka Shankar plays 'Pancham Se Gara'

http://www.youtube.com/watch?v=O4RZaszNhB0&list=RD8CnhcGpmH9Y&index=3











Tuesday, November 4, 2014

The Enemy Japan - the Psychology of the Japanese People | WW2 Propaganda Film | Full Documentary

https://www.youtube.com/watch?v=WJLE2pnN9WY

Japan's War in Colour | 2004 Documentary with never seen before films

https://www.youtube.com/watch?v=WJLE2pnN9WY&list=UUhrXqqgb9ckFfDUN5EaIfng

deep seated fear of western domination
global mission to lead entire world
flag of the rising sun
newly found international status
widespread poverty   depression
extreme militarists take over
prince Chichivu European tour
desire to dominate Asia 
1931  seized Manchuria   (Manchukuo)
Nanking falls Dec 1937
demonic excitement of beheadng, killing and disemboweling, and mass raping  
prisoners mass executed and bayoneted
total war victory with no mercy 
militarists revise the old Bushido code to new notions of honor, and deepest shame for surrender
cult of emperor unifies nation    total obedience  honor of an honorable death
surrender entails greatest dishonor and shame
die for the sake of the emperor
signing axis pact w Germany and Italy
Japan no oil or nat resources
launching of Pearl Harbor
becoming prisoners inexcusable
struggle betw races-- no thought of races
Singapore - humiliating defeat on Br empire
Dutch E Indies invaded
Saipan and Marianas   bombed  no one safe from war
____________________________________________

https://www.youtube.com/watch?v=H9yKqcs699k
WW2  Japanese invasion of China
second sino japanese war 1937-45  1.02.36
new kind of war no mercy bombigs by surprise genocide   shanghai 1937
CHINA 3 FACTS THAT MUST NOT BE FORGOTTEN
LAND   RICH IN RAW MATERIALS 4 MILLION SQ MILES
PEOPLE  1/5 OF THE WORLD POP  
HISTORY > 4000 YEARS OLD -OUR ALLY IN WW 2   IMFO FILM 6  THE BEST FILM ARCHIVES

  1. ART AND LEARNING
  2. DISUNITED BY SECTIONING OFF OF FEUDAL WARLORDS
  3. NEVER WAGED A WAR OF CONQUEST
JAPANESE PLAN TO ACHIEVE WORLD DOMINATION  TANAKA PLAN
  • CONQUER CHINA FOR RESOURCES AND USE THEIR MANPOWER AS SLAVES
  • PLANNED WAR OF CONQUEST   Lebensraum
  • TANAKA PLAN
  1. Began w the conquering of Manchuria  set up puppet of Manchukuo w puppet Emperor  Unit 731 and Bio warfare research set up
  2. Conquer China    Rap of Nanking     Air attack over Shanghai (international settlement)
  3. Conquer Indies for resources and destroy colonialism
  4. Destroy U.S.
Failed bogged down in step 2 gambled to take step 3 and 4 w/o completing step 2  surprise attack on Pearl Harbor
Sun Yat Sen role in uniting China 
Unification of China 

Industrial strength moved t west uprooted the nation biggest mass migration action in history-

  • Trading space for time to regroup
  • Scorched earth policy of Chinese
  • 30 million moved W 2000 miles from Jap invaders
NEW CHINA    Factories underground    call to arms    indestructible spirit of resistance to tyranny
guerrilla warfare harassed Jap invasion forces
Resistance   Col Chenault   Flying Tigers
General Stillwell
Japanese Changshi offensive fails
Chengchow victory for Chinese



Saturday, October 25, 2014

Ravi Shankar & Ali Akbar Khan in concert 1972,Hindu Chants and Anoushka

https://www.youtube.com/watch?v=O4RZaszNhB0

Anoushka Shankar - Your Eyes (Sitar Solo)




https://www.youtube.com/watch?v=whLhMVLQSbA

RevJoshua

 
This is the first video I've actually been able to observe him using the lower tuned strings
"But every insight from this realm of thought is felt as initial, and promises a sequel. I do not make it; I arrive there, and beho ld what was there already. I make! O no! I clap my hands in infantine joy and amazement, before the first opening to me of this august magnificence, old with the love and homage of innumerable ages, young with the life of life, the sunbright Mecca of the desert."
-Ralph Waldo Emerson

https://www.youtube.com/watch?v=BcBhXlku7zI

Tom Bethell

Ravi Shankar 1979 in Dubrovnik

Yogeshwari (especially the alap) by the late Ravi Shankar is a great musical experience. And being able to appreciate it is an equal gift. Most people, in my experience, don't "get it" at all. they are looking for a melodic line, or a "beat," or harmony. This is pure "note," constantly explored, with many subtle "warps," near approaches and slides. Western music doesn't have anything quite like it. Nonetheless, the main notes here are the tonic and dominant of the major (western) scale.

https://www.youtube.com/watch?v=lk60ObnbIOk&list=RD9xB_X9BOAOU&index=19

Ravi Shankar at Monterey Pop (June 1967)


https://www.youtube.com/watch?v=I1nKVExbewM

https://www.youtube.com/watch?v=igDsu5QWhpo
Unfortunately, I had to disable comments on this video because of the many ignorant and unreasonable comments that didn't capture the spirit of this video at all. It's not about who is/was the greatest sitar player ever! Some people even didn't notice that Ravi Shankar was approximately 90 years old when this video was made, so of course he couldn't sing as well as he used to do when he was much younger. But again, that's not the point.

https://www.youtube.com/watch?v=9xB_X9BOAOU
Uploaded on Sep 21, 2011
As part of India & Pakistan's Golden Jubilee celebrations, Pandit Ravi Shankar, accompanied by his daughter Anoushka Shankar, perform live for the BBC at The Symphony Hall, Birmingham.

https://www.youtube.com/watch?v=8CnhcGpmH9Y&list=RD9xB_X9BOAOU

Anoushka Shankar plays 'Pancham Se Gara'

Innovative sitar player and composer Anoushka Shankar plays 'Pancham Se Gara' by Ravi Shankar with Tanmoy Bose (tabla) and Kenji (Tampura) at the Neurosciences Institute.

Ravi Shankar & Ali Akbar Khan in concert 1972   video audio

http://youtu.be/BZ_P76Bmt6M
Wonderful to see him carry the image of his guru with him in the box at 27:30. Love this rendering of the Tilak Shyam a very short version on one of his CD, and now this beautiful presentation with just the right accompaniment by Sri Kumar Bose.  Sets a perfect mood of devotion and communication with the divine One within all. Thank you for this.
TAJ MAHAL
https://www.youtube.com/watch?v=2Ic1zm9mBjk

Laura Close 
Well like you probably know Indian Classical music is very different from western music.
With Indian classical music listening and absorbing the music is very important, also watching the movements of the players is important.







Hindu Chants

https://www.youtube.com/watch?v=hQ6x8z-spMI&list=PLd6h18WERVo-Esw5STpwzckNYvaUR7pKU


Published on Mar 14, 2014

Traditional Music Channel



Rāgas and their seasons[edit]



Many Hindustani (North Indian) rāgas are prescribed for the particular time of a day or a season. When performed at the suggested time, the rāga has its maximum effect. For example, many of the Malhar group of rāgas, which are ascribed the magical power to bring rain, are performed during the monsoon. However, these prescriptions are not strictly followed, especially since modern concerts are generally held in the evening. There has also been a growing tendency over the last century for North Indian musicians to adopt South Indian rāgas, which do not come with any particular time associated with them. The result of these various influences is that there is increasing flexibility as to when rāgas may be performed.











Thursday, October 23, 2014

In Praise of Noach

Chassidic Dimension - Volume 2: Noach
Tishrei 29, 5775 · October 23, 2014

In Praise of Noach
The Torah portion Noach begins with the words: “These are the children of Noach. Noach was a righteous individual….”1 But only in the second verse does the Torah mention his three children, Shem, Cham and Yafes.
Rashi2 explains this seeming incongruity by noting that the phrase “Noach was a righteous individual….” is a parenthetical statement inserted in the first verse — “Since he [Noach] is mentioned, his praises are extolled, for it is written,3 ‘the mention of a righteous individual should be accompanied by his praise.’ ”
This, however, gives rise to the following question: Noach’s name was already mentioned in Bereishis ;4 seemingly, it is there that his name should have been accompanied by praise. Why does the Torah refrain from praising him until the portion Noach ?
Additionally, what is the reason for and the benefit of lauding the virtues of a righteous individual?
The Gemara5 informs us that Lashon Hara , slander, harms not only the teller and the listener, but the person being talked about as well.
Now it is quite understandable that spiritual harm befalls both the speaker and the hearer of slander, for both are engaged in an act which our Sages liken to the combined sins of idolatry, incestuous relationships and murder.6But why is the object of the slander spiritually affected? Why should he suffer when he had no part in this sin?
Consider. Speech reveals that which was previously concealed as thought. Speaking of another’s evil may thus have a detrimental effect on the slandered person; if the person’s evil had not been spoken about, it might have remained “concealed” and not come to realization.
The reason this is so is that man’s every action — especially speech, whose purpose is to reveal the concealed — has an effect. This may be felt either in a physical sense or on a spiritual plane, where the damage is perceived with higher and more refined senses.7
Thus it is related8 that a person was once quarreling with another in the Baal Shem Tov’s shul. In the heat of the moment, one of the disputants shouted that he would tear the other to pieces. The Baal Shem Tov revealed to his disciples how this act of dismemberment actually took place on a spiritual plane.
Yet “a good attribute is far more efficacious than a harmful one.”9 If speaking of another’s evil has a detrimental effect, then surely speaking of another’s good qualities has a salutary effect on the person being spoken of; he is more likely to realize his goodly potential and qualities.
If this is so with regard to praise by human beings, how much more so with regard to G-d’s praise of an individual, especially when this praise is included in the Torah itself!
This is why “the mention of a righteous individual should be accompanied by his praise”; by praising a person, one is actually assisting him in his righteous behavior.
The reason why Noach is first praised in the portion Noach rather than inBereishis will be understood accordingly:
While it is true that Noach’s name is mentioned earlier, it is specifically in the portion Noach that the Torah speaks of Noach with regard to the good deeds and spiritual service he attained on his own, as opposed to that with which he was favored from Above.
Since the reason for praising a righteous individual is to assist him in his divine service, and since Noach’s service begins in the Torah portion Noach, it follows that it is here that his name be “accompanied by his praise.”
The lesson to be derived in terms of our own service is obvious: A Jew should do his utmost to perceive the goodness of his fellow, and speak of his good traits and qualities. By doing so, he assists in revealing the goodness of the other, and at the same time helps the other in his spiritual passage through life.
Based on Likkutei Sichos , Vol. V, pp. 36-46.
FOOTNOTES
1.Bereishis 6:9.
2.Ibid.
3.Mishlei 10:7.
4.5:29-30; 5:32; 6:8.
5.Erchin 15b.
6.Ibid.
7.HaYom Yom p. 100.
8.Ibid.
9.Sotah 11a.

Sunday, October 19, 2014

Simon and the Oaks

Review Summary

With its exhilarating World War II narrative and performances that touch notes intimate and grand, “Simon and the Oaks” has an exquisite, and epic, ache. Simon’s parents are working-class Swedes, but he develops a surrogate family in his schoolmate Isak and Isak’s father — wealthy, German and Jewish. To help their troubled children, these contrasting sets of parents blend into an affecting unit that expands over the years, eventually forming a business together and spanning generations. What’s extraordinary is the absolute love these adults show for the children, even amid their searches for, and confrontations with, identity. Matters of the heart are thwarted in a most Chekhovian manner, except with added melodrama that includes a few nervous breakdowns (and one thrilling burning mansion). — David DeWitt
Most all of the actors are mesmerizing; Helen Sjoholm, as Simon’s mother, in particular is a deep well of complex feeling. Bill Skarsgard (Stellan’s son, Alexander’s brother) is less involving as the older Simon. That’s partly because the movie’s concluding scenes, perhaps reflecting their literary origin (a novel by Marianne Fredriksson), rob us of some emotional payoffs. Early scenes are problematic too, suggesting a magical realism that is mostly abandoned later.
Disappointments, yes, but hardly damning. “Simon and the Oaks,” with its big ideas of destiny and selfhood, is rooted in hearts doomed to break.

Simon and the Oaks

(Simon och ekarna)
2011NR2hr 2m
Our best guess for Edward:
3.3 stars
Average of 6,337 ratings:
3.3 stars
In this World War II-era drama, working-class Simon forms a bond with Isak, a wealthy Jewish boy bullied by his classmates and terrified of the Nazis

This is a wonderful film and I have to disagree with the other reviews. This film tells a complicated story set mostly in Norway before, during and after WWII. The story revolves around a young Norwegian boy and how his family copes with a secret involving the boy; how the boy interacts with another boy he meets at school and how the two families cope with events of the War and the Holocaust. The acting is superb, the cinematography incredible and I found myself intensely caring about the characters - all hallmarks of an excellent film. I cannot give Director Lisa Ohlin enough credit for the work she did on this film; the details of life in rural Norway, the settings in Oslo and Germany - all superb. The storyline is done so well that I was guessing through the very end. If you like a film with a lot of subtlety, complexity,and sensitivity you will love this film. This is Btranquilo and I highly recommend this gem of a film. This film deserves a much wider US audience.



Plot[edit]


The film is about Simon (Bill Skarsgård), growing up in a working-class family on the outskirts of Gothenburg during World War II. He is very talented and always felt different and an outsider. Against his parents' approval, he seeks to schools and education as a working kid normally not attend. There he meets Isaac (Karl Linnertorp), the son of a wealthy Jewish bookseller who fled persecution in Nazi Germany. The two boys and their families' lives are interwoven while war rages in Europe.