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Budaliget 1943: A small village on the edge of Budapest. Three young women and a man, artists and close friends are gathered together in the uneasy days before Hitler’s armies would destroy the world as they knew it. Seeking spiritual knowledge, and anticipating the horrors of Nazi-occupied Hungary, they met regularly to discuss how to find their own inner paths to enlightenment.
One June afternoon, the meeting is disrupted when Hanna calls out, "Be careful, it is no longer I who speak!" Her friends do not recognize her voice now or later, when she speaks in other voices, each directing a specific message to one of the four.
For 17 months, with the world locked in a deadly struggle for survival, the four friends meet every week with the spiritual beings they come to call their "angels"; Gitta Mallasz takes notes, the protocols which form this book, along with her commentary. The angels’ message of personal responsibility is as meaningful and as urgent today as it was for its initial recipients half a century ago.
I am deeply touched by the dialogues with the angels. - Yehudi Menuhin
I could read it over and over again and never get tired of it.
Thank you, thank you, thank you for sharing this book with me. - Elisabeth Kübler-Ross
I feel as though the message of the angels were especially intended for me.
It places me in touch with Truth and enables me to hear the call more clearly.
The angels teach me how to view the world through the inner smile. - Narciso Yepes
_______________________________________________________________
9. DIALOGUE WITH LILI
L. May I ask?
Affirmative gesture.
L. I don’t understand the lesson I received last week in Budapest.
Lili had tried to sense in which of her students the new seed might sprout.
— DO NOT JUDGE!
Ö is the driving force.
If a seed is there, it will sprout.
Do not try to find where it is …
Your judgment is not necessary.
L. Thank you! And thank you for last night’s dream.
— Being awake is more important
than dreaming dreams.
L. I would like so much to be awake …
— YOU ARE DREAMED.
L. What does that mean?
— DREAMS ARE IMAGES – YOU, TOO, ARE AN IMAGE.
BUT SOON THE DIVINE WILL AWAKEN IN YOU.
L. How can I help the members of my family?
— You have a big family. Ö helps through you.
Have faith!
L. Why do I have pains in my back and neck every morning?
An undesired, youngest child, Lili has been oppressed by her family since birth. Now the angel makes her aware of her ‘real’ family: all of humanity.
— You were obliged to bow before the unworthy.
If you bow before Ö – Who alone is worthy –
you will be made straight again.
L. Does every physical illness have a psychological cause?
— A tree bears fruit. A good tree bears good fruit.
Matter is neither good nor bad,
for it is essentially inert.
THE PAIN IN YOUR BACK
DOES NOT HAVE ITS ORIGIN IN YOUR BACK.
Now it is my turn to ask a question:
What have you been happy about lately?
L. My dream, my good day in the city and, most of all:
you.
— ONLY IN JOY AM I PRESENT.
May you be blessed by Heaven!
________________________________________________________________
Friday, August 27, 1943
10. DIALOGUE WITH GITTA
At last, a week of joyful anticipation!
— Let us give thanks!
With a radiant smile:
— Today it is good to be here.
Hanna later tells me that, during the first dialogues, she had often felt how difficult it was for my teacher to descend and be in our dense atmosphere. Now my joy makes it much easier. Pointing to the glass of water:
— Water brings me closer to you.
What water does for me … fire does for you.
I understand that the more I burn in joy, the nearer I come to my angel … but the angel’s fire must correspondingly be diminished with water, that I might support it.
— How can I help you?
G. When I touch someone I love, I often feel a force streaming through my hands, but not through my eyes. Why is that so?
— I will explain it to you:
You strive from below to above.
The hands form a cone:
This is how you are formed:
strong below …
ever more slender toward the top.
Matter is inert.
It is your task to raise it up.
Indicating the eyes:
— Matter and spirit meet here.
Matter needs to be raised to this level,
for here it ignites and radiates out through the eyes.
Indicating the throat:
— But here you block the rising force with emotions,
it becomes water and flows back.
From the throat to the eyes,
matter becomes ever more subtle, but still it is matter.
Keep the way pure!
(Silence)
G. I am not yet able to act at the proper moment …
— What needs to be done has a voice,
and you have ears to hear it. Close your eyes!
I obey, and feel a force streaming into my ears.
— From now on, you will hear better. Ask!
G. I suffer from not being able to love enough …
— Do you know why?
G. It might be because I was unable to paint …
— You were unable to paint
because you were unable to love.
EVERY TRUE ACT SPRINGS FROM LOVE.
Take heed! ‘The nameless one’ led you astray.
I am immediately aware of what this refers to: yesterday, two young students had made the long way from Budapest to Budaliget and unexpectedly appeared at our doorstep. I had been on the verge of leaving – to ‘sing for my angel in the forest’ – in preparation for the next dialogue. After hesitating briefly, I left it to Hanna to deal with the young visitors and went on my way. As might be expected, however, I was unable to sing. Everything seemed meaningless, and a feeling of utter emptiness made any contact with my angel impossible.
— ‘The nameless one’ can assume even my form in order to lead you astray.
It now becomes perfectly obvious to me that I behaved unfeelingly in this situation. I am gripped by a fear of not being able to feel the difference between my true, inner teacher and some false one.
— You can recognize ‘the nameless one’ in your heart,
for its name is ‘emptiness.’
G. I know that emptiness and meaninglessness are traps, but still I fall into them.
— In the moment that you know it, it is already too late.
You go too far: you fail to stop when you should.
I then realize that, because my attention is usually directed to the outside, I tend not to notice that ‘the nameless one’ has slipped into me until it becomes obvious in my outer behavior. Were I to direct my attention inward, however, I could then detect the danger in advance … and thus become able to defend myself.
— Ask.
G. Why do I have such a burning sensation in my eyes?
— Because you weep.
Everything that lives needs water in order to burn.
Your burning has begun … yet still you weep …
and so you have a shortage of water.
G. What is the difference between true and false feelings?
— True feeling is inwardly ‘immobile.’
But you love first this … then that …
Gesture indicating the motion of waves:
— Water moves, in waves.
TRUE FEELING IS MOTIONLESS,
LOVES EVERYTHING … AND SHINES.
Your sign is the SUN.
The sun is motionless and shines everywhere.
This is not the sun you see with your eyes;
that, too, is but an image.
Speak!
G. For a moment, I felt my task very clearly,
but then everything became blurred again.
— THIS MOMENT LASTS AN ETERNITY;
IT NEVER BEGAN, AND IT CAN NEVER END.
ONLY YOU WAVER.
Give your best effort!
I always take your image with me
and present it to the chorus.
Hanna sees a transparent image of me, which my angel superimposes upon earlier, transparent images. Thus, any changes I go through from week to week become clearly visible. The images of me are placed in the center of a large cone, formed by the chorus of angels. All eyes are now focused upon the images, with neither judgment nor criticism, but a SIGHT that is all-penetrating.
From above – from the focal point of the cone – shines the Gaze of the Divine.
— May Heaven bless you!
The next day, Hanna explains to me that my feelings themselves are, of course, vital; nevertheless, I know that I need to find a new or different attitude towards them. If rising feelings are repressed prematurely, they become stuck in the throat and are choked off. If they are allowed to rise freely, all the way to the eyes, their initial strength becomes diluted into tears. But if feelings are offered to the Divine just as they reach the level of the throat, then their force becomes transformed into Light, which rises up and shines out through the eyes.
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