The Cross of Lorraine, chosen by General Charles de Gaulle as the symbol of the Résistance[1] Pharand (2001), p. 169
- Pharand, Michel W (2001). Bernard Shaw and the French. USA: University Press of Florida. ISBN 978-0-8130-1828-7.
Cultural personalities[edit]
Main article: List of people involved with the French ResistanceThe well-known personalities of France – intellectuals, artists, and entertainers – faced a serious dilemma in choosing to emigrate or to remain in France during the country's occupation. They understood that their post-war reputations would depend, in large part, on their conduct during the war years.[220] Most who remained in France aimed to defend and further French culture and thereby weaken the German hold on occupied France.[221] Some were later ostracized following accusations that they had collaborated. Among those who actively fought in the Resistance, a number died for it – for instance the writer Jean Prévost, the philosopher and mathematician Jean Cavaillès, the historian Marc Bloch, and the philosopher Jean Gosset;[221] among those who survived and went on to reflect on their experience, a particularly visible one was André Malraux.Among prominent foreign figures who participated in the French Résistance was the political scientist and later Iranian Prime Minister Shapour Bakhtiar. After serving as the prime minister and strong man of the authoritarian Shah regime in Iran, he was forced back into Paris in the aftermath of the Islamic Revolution. He was assassinated on order of the Iranian Islamic Republic in 1991.[222]
After the landings in Normandy and Provence, the paramilitary components of the Résistance were organised more formally, into a hierarchy of operational units known, collectively, as the French Forces of the Interior (FFI). Estimated to have a strength of 100,000 in June 1944, the FFI grew rapidly and reached approximately 400,000 by October of that year.[8] Although the amalgamation of the FFI was, in some cases, fraught with political difficulties, it was ultimately successful, and it allowed France to rebuild the fourth-largest army in the European theatre (1.2 million men) by VE Day in May 1945.[9]
Federini, Fabienne (2006). Ecrire ou combattre : Des intellectuels prennent les armes (1942–1944). Paris: Editions La Découverte. ISBN 2-7071-4825-
The French Résistance has had a great influence on literature, particularly in France. A famous example is the poem"Strophes pour se souvenir", which was written by the communist academic Louis Aragon in 1955 to commemorate the heroism of the Manouchian Group, whose 23 members were shot by the Nazis. The Résistance is also portrayed in Jean Renoir's wartime This Land is Mine (1943), which was produced in the USA. In the immediate postwar years, French cinema produced a number of films that portrayed a France broadly present in the Résistance.[202][203] La Bataille du rail (1946) depicted the courageous efforts of French railway workers to sabotage German reinforcement trains,[204] and in the same year Le Père tranquille told the story of a quiet insurance agent secretly involved in the bombing of a factory.[204]Collaborators were unflatteringly portrayed as a rare unpopular minority, as played by Pierre Brewer in Jéricho (also 1946) or Serge Reggiani in Les Portes de la nuit (1946 as well), and movements such as the Milice were rarely evoked.
n the 1950s, a less heroic interpretation of the Résistance to the occupation gradually began to emerge.[204] In Claude Autant-Lara's La Traversée de Paris (1956), the portrayal of the city's black market and the prevailing general mediocrity disclosed the reality of war-profiteering during the occupation.[205] In the same year, Robert Bresson presented A Man Escaped, in which an imprisoned Résistance activist works with a reformed collaborator inmate to help him escape.[206 Lanzone (2002), p. 286A cautious reappearance of the image of Vichy emerged in Le Passage du Rhin (The Crossing of the Rhine)(1960), in which a crowd successively acclaims both Pétain and de Gaulle.[207]
- Lanzoni, Rémi (2002). French Cinema: From Its Beginnings to the Present. London & New York: Continuum International Publishing Group. ISBN 978-0-8264-1399-4.
After General de Gaulle's return to power in 1958, the portrayal of the Résistance returned to its earlier résistancialisme. In this manner, in Is Paris Burning? (1966), "the role of the resistant was revalued according to [de Gaulle's] political trajectory".[208] The comic form of films such as La Grande Vadrouille (also 1966) broadened the image of Résistance heroes in the minds of average Frenchmen.[209] The most famous and critically acclaimed of all the résistancialisme movies is L'armée des ombres (Army of Shadows) by French filmmaker Jean-Pierre Melville in 1969, a film inspired by Joseph Kessel's 1943 book as well as Melville's own experience as a Résistance fighter who participated in Operation Dragoon. A 1995 television screening of L'armée des ombres described it as "the best film made about the fighters of the shadows, those anti-heroes."[210]
The shattering of France's résistancialisme following the civil unrest of May 1968 was made particularly clear in French cinema. The candid approach of the 1971 documentary The Sorrow and the Pity shone a spotlight on antisemitism in France and disputed the official Résistance ideals.[211][212] Time magazine's positive review of the film wrote that directorMarcel Ophüls "tries to puncture the bourgeois myth —- or protectively skew memory -— that allows France generally to act as if hardly any Frenchmen collaborated with the Germans."[213]
Franck Cassenti, with L'Affiche Rouge (1976); Gilson, with La Brigade (1975); and Mosco with the documentary Des terroristes à la retraite addressed foreign resisters of the EGO, who were then relatively unknown. In 1974, Louis Malle'sLacombe, Lucien caused scandal and polemic for his lack of moral judgment regarding the behavior of a collaborator.[214] Greene (1999), p. 73
- Greene, Naomi (1999). Landscapes of Loss: The National Past in Postwar French Cinema. New Jersey: Princeton University Press. ISBN 978-0-691-00475-4.Malle later portrayed the resistance of Catholic priests who protected Jewish children in his 1987 film Au revoir, les enfants.François Truffaut's 1980 film Le Dernier Métro was set during the German occupation of Paris and won ten Césars for its story of a theatrical production staged while its Jewish director is concealed by his wife in the theater's basement.[215]
Historical analysis[edit]
During this period, and particularly after de Gaulle's return to power in 1958,[185] thecollective memory of "Résistancialisme" tended toward a highly resistant France opposed to the collaboration of the Vichy regime.[186] This period ended when the aftermath of the events of May 1968, which had divided French society between the conservative "war generation" and the younger, more liberal students and workers,[187] led many to question the Résistance ideals promulgated by the official history.[188]
__________________________________________________________________________________________________________________________________________________________________In coming to terms with the events of the occupation, several different attitudes have emerged in France, in an evolution the historian Henry Rousso has called the "Vichy Syndrome".[189] The questioning of France's past had become a national obsession by the 1980s,[190] fuelled by the highly publicized trials of war criminals such as Klaus Barbie and Maurice Papon.[191]Although the occupation is often still a sensitive subject in the early 21st century,[192] contrary to some interpretations the French as a whole have acknowledged their past and no longer deny their conduct during the war.[193]
After the war, the influential French Communist Party (PCF) projected itself as "Le Parti des Fusillés" (The Party of Those Shot), in recognition of the thousands of communists executed for their Résistance activities.[194][195][196] The number of communists killed was in reality considerably less than the Party's figure of 75,000, and it is now estimated that close to 30,000 Frenchmen of all political movements combined were shot,[197][198] of whom only a few thousand were communists.[197]
The Vichy Regime's prejudicial policies had discredited traditional conservatism in France by the end of the war,[199] but following the liberation many formerPétainistes became critical of the official résistancialisme, using expressions such as "la mythe de la Résistance" (the myth of the Résistance),[200] one of them even concluding, "The 'Gaullist' régime is therefore built on a fundamental lie."[201]
Legacy[edit]
Épurations ("purges")[edit]
Immediately following the liberation, France was swept by a wave of executions, public humiliations, assaults and detentions of suspected collaborators, known as the épuration sauvage (savage purge).[176] This period succeeded the German occupational administration but preceded the authority of the French Provisional Government, and consequently lacked any form of institutional justice.[176]Approximately 9,000 were executed, mostly without trial as summary executions,[176]notably including members and leaders of the pro-Nazi milices. In one case, as many as 77 milices members were summarily executed at once.[177] An inquest into the issue of summary executions launched by Jules Moch, the Minister of the Interior, came to the conclusion that there were 9,673 summary executions. A second inquest in 1952 separated out 8,867 executions of suspected collaborators and 1,955 summary executions for which the motive of killing was not known, giving a total of 10,822 executions. Head-shaving as a form of humiliation and shaming was a common feature of the purges,[178] and between 10,000 and 30,000 women accused of having collaborated with the Germans or having had relationships with German soldiers or officers were subjected to the practice,[179] becoming known as les tondues (the shorn).[180]
The official épuration légale ("legal purge") began following a June 1944 decree that established a three-tier system of judicial courts:[181] a High Court of Justice which dealt with Vichy ministers and officials; Courts of Justice for other serious cases of alleged collaboration; and regular Civic Courts for lesser cases of alleged collaboration.[176][182]Over 700 collaborators were executed following proper legal trials. This initial phase of the purge trials ended with a series of amnesty laws passed between 1951 & 1953[183] which reduced the number of imprisoned collaborators from 40,000 to 62,[184] and was followed by a period of official "repression" that lasted between 1954 & 1971.[183]
Role in the liberation of France and casualties[edit]
Defining the precise role of the French Résistance during the German occupation, or assessing its military importance alongside the Allied Forces during the liberation of France, is difficult. The two forms of resistance, active and passive,[159]and the north-south occupational divide,[160]allow for many different interpretations, but what can broadly be agreed on is a synopsis of the events which took place.
Following the surrender of Fascist Italy in September 1943, a significant example of Résistance strength was displayed when the Corsican Résistance joined forces with the Free French to liberate the island from General Albert Kesselring's remaining German forces.[161]
On mainland France itself, in the wake of the D-Day landings in Normandy in June 1944, the FFI and the communist fighting groups FTP, theoretically unified under the command of General Pierre Kœnig,[162] fought alongside the Allies to free the rest of France. Several color-coded plans were co-ordinated for sabotage, most importantly Plan Vert (Green) for railways,Plan Bleu (Blue) for power installations and Plan Violet (Purple) for telecommunications.[163][164][165] To complement these missions, smaller plans were drafted: Plan Rouge (Red) for German ammunition depots, Plan Jaune (Yellow) for German command posts, Plan Noir (Black) for German fuel depots and Plan Tortue (Tortoise) for road traffic.[166] Their paralysis of German infrastructure is widely thought to have been very effective.[167] British Prime Minister Winston Churchill later wrote in his memoirs praising the role the Résistance played in the liberation of Brittany, "The French Resistance Movement, which here numbered 30,000 men, played a notable part, and the peninsula was quickly overrun."[168]
The Liberation of Paris on August 25, 1944, with the support of Leclerc's French 2nd Armored Division, was one of the most famous and glorious moments of the French Résistance. Although it is again difficult to gauge their effectiveness precisely, popular anti-German demonstrations, such as general strikes by the Paris Métro, the gendarmerie and the police, took place, and fighting ensued.
The liberation of most of southwestern, central and southeastern France was finally fulfilled with the arrival of the 1st French Army of General de Lattre de Tassigny, which landed in Provence in August 1944 and was backed by over 25,000 maquis.[169]
One source often referred to is General Dwight D. Eisenhower's comment in his military memoir, Crusade in Europe:
General Eisenhower also estimated the value of the Résistance to have been equal to ten to fifteen divisions at the time of the landings. (One infantry division comprised about ten thousand soldiers.)[171][172] Eisenhower's statements are all the more credible since he based them on his GHQ's formal analyses and published them only after the war, when propaganda was no longer a motive. Historians still debate how effective the French Résistance was militarily,[173] but the neutralization of theMaquis du Vercors alone involved the commitment of over 10,000 German troops within the theater, with several more thousands held in reserve, as the Allied invasion was advancing from Normandy and French Operation Jedburghcommandos were being dropped nearby to the south to prepare for the Allied landing in Provence.
It is estimated that FFI killed some 2,000 Germans, a low estimate based on the figures from June 1944 only.[173] Estimates of the casualties among the Résistance are made harder by the dispersion of movements at least until D-Day, but credible estimates start from 8,000 dead in action, 25,000 shot and several tens of thousands deported, of whom 27,000 died in death camps.[174] For perspective, the best estimate is that 86,000 were deported from France without racial motive, overwhelmingly comprising resistance fighters and more than the number of Gypsies and Jews deported from France.[175]
Plot
During the Second World War, two British army officers, Garnett and Gowan, together with Private Clark, who used to live in France and ran a café with his French wife, and Raoul, a member of the Free French forces, are dropped off on the coast of occupied France. Their mission is to collect intelligence on German military strength in the area, prior to an airborne raid. They rendezvous at the chateau used as German headquarters, which is Raoul's ancestral home. His sister Michele still lives there, but is resigned to cooperation with the occupiers, and is too frightened to assist in the men's mission.
As part of the mission, Garnett and Gowan masquerade as champagnesalesmen, aided by a personal letter from Ribbentrop. Having thus established their bona fides, they do deals with German officers for supplying their mess. They also extract much information from the unwary Germans. They also discover that a local businessman, M. Fayolle, hated by some of the locals for his open collaboration with the occupying forces, is in fact secretly working with the French resistance and has assisted many Allied servicemen to escape.
The agents manage to gain access to a secret factory, which is so well disguised that it cannot be bombed, and show a light for arriving paratroopers, who land and overrun the factory. However, Raoul is killed.
As the other agents embark by boat to return to England, Michele refuses an offer to leave with them and promises to start working with the Resistance.[3]
Cast[edit]
Secret Mission | |
---|---|
UK DVD cover
| |
Directed by | Harold French |
Produced by | Marcel Hellman |
Screenplay by | Anatole de Grunwald Basil Bartlett |
Story by | Terence Young |
Starring | Hugh Williams James Mason Carla Lehmann Roland Culver |
Music by | Mischa Spoliansky |
Cinematography | Bernard Knowles |
Edited by | Edward B. Jarvis |
Production
company | |
Distributed by | General Film Distributors(UK) |
Release dates
|
1945 (France) |
Running time
| 94 min.[1] |
Country | United Kingdom |
Language | English |
Box office | 1,759,641 admissions (France)[2] |
Cast[edit]
- Hugh Williams as Major Peter Garnett
Filmography[edit]
- Charley's Aunt (1930) as Charlie Wykeham
- Night in Montmartre (1931) as Philip Borell
- A Gentleman of Paris (1931) as Gaston Gerrard
- Down Our Street (1932) as Charlie Stubbs
- Insult (1932) as Captain Ramon Nadir
- In a Monastery Garden (1932) as Paul Ferrier
- After Dark (1932) as Richard Morton
- White Face (1932) as Michael Seeley
- Rome Express (1932) as Tony
- The Jewel (1933) as Frank Hallam
- The Acting Business (1933) as Hugh (aka This Acting Business)
- Bitter Sweet (1933) as Vincent
- Sorrell and Son (1934) as Kit Sorrell as an Adult
- Elinor Norton (1934) as Tony Norton
- All Men Are Enemies (1934) as Tony Clarendon
- Outcast Lady (1934) as Gerald March
- Lieut. Daring R.N. (1935) as Lt. Bob Daring (aka Lieutenant Daring R.N.)
- David Copperfield (1935) as Steerforth
- Let's Live Tonight (1935) as Brian Kerry
- The Happy Family (1936) as Victor Hutt
- The Last Journey (1936) as Gerald Winter
- The Amateur Gentleman (1936) as Ronald
- Her Last Affaire (1936) as Alan Heriot
- The Man Behind the Mask (1936) as Nick Barclay (aka Behind the Mask (UK: reissue title))
- The Windmill (1937) as Peter Ellington
- Side Street Angel (1937) as Peter
- The Perfect Crime (1937) as Charles Brown
- Gypsy (1937) as Brazil
- Brief Ecstasy (1937) as Jim Wyndham (aka Dangerous Secrets)
- Premiere (1938) as Rene Nissen (aka One Night in Paris)
- The Dark Stairway (1938) as Dr. Thurlow
- Bank Holiday (1938) as Geoffrey (aka Three on a Weekend (USA))
- His Lordship Goes to Press (1939) as Lord Bill Wilmer
- Wuthering Heights (1939) as Hindley Earnshaw
- Dead Men Tell No Tales (1939) as Detective Inspector Martin
- Inspector Hornleigh (1939) as Bill Gordon, Ann's Brother
- The Dark Eyes of London (1939) as Det. Insp. Larry Holt (aka The Human Monster)
- Ships with Wings (1942) as Wagner, Papa's Pilot
- The Day Will Dawn (1942) as Colin Metcalfe (aka The Avengers (USA))
- One of Our Aircraft Is Missing (1942) as Frank Shelley, Observer/Navigator in B for Bertie
- Secret Mission (1942) as Major Peter Garnett
- Talk About Jacqueline (1942) as Dr. Michael Thomas
- A Girl in a Million (1946) as Tony
- Take My Life (1947) as Nicholas Talbot
- An Ideal Husband (1947) as Sir Robert Chiltern
- Elizabeth of Ladymead (1948) as John Beresford in 1946
- The Blind Goddess (1948) as Lord Brasted
- The Romantic Age (1949) as Arnold Dickson (aka Naughty Arlette (USA))
- Paper Orchid (1949) as Frank McSweeney
- Gift Horse (1952) as Captain David G. Wilson, Division Commander (aka Glory at Sea (USA))
- The Holly and the Ivy (1952) as Richard Wyndham
- Twice Upon a Time (1953) as James Turner
- The Fake (1953) as Sir Richard Aldingham
- Star of My Night (1954) as Arnold Whitman
- The Intruder (1953) as Tim Ross
- Khartoum (1966) as Lord Hartington
- Doctor Faustus (1967) as Scholar
- James Mason as Raoul de Carnot
Filmography[edit]
- Carla Lehmann as Michele de Carnot
Selected filmography[edit]
- Sailors Three (1940)
- Once a Crook (1941)
- Cottage to Let (1941)
- Secret Mission (1942)
- Flying Fortress (1942)
- Talk About Jacqueline (1942)
- Candlelight in Algeria (1944)
- 29 Acacia Avenue (1945)
- Fame Is the Spur (1947)
- Roland Culver as Captain 'Red' Gowan
Partial filmography[edit]
- 77 Park Lane (1931) as Sir Richard Carrington
- Fascination (1931) as Ronnie
- Love on Wheels (1932) as Salesman
- C.O.D. (1932) as Edward
- There Goes the Bride (1932) as Jacques
- Her First Affaire (1932) as Drunk
- Marry Me (1932) as Tailor (uncredited)
- Puppets of Fate (1933) as Billy Oakhurst
- Her Imaginary Lover (1933) as Raleigh Raleigh
- Head of the Family (1933) as Manny
- Mayfair Girl (1933) as Dick Porter
- Lucky Loser (1934) as Pat Hayden
- Two Hearts in Waltz Time (1934) as Freddie
- Nell Gwyn (1934) as Bit Part (uncredited)
- Father and Son (1934) as Vincent
- The Scoop (1934) as Barney Somers
- Borrow a Million (1934) as Charles Nutford
- Oh, What a Night (1935) as (uncredited)
- Everybody Dance (1936) as Mr. Wilson - Diner at nightclub (uncredited)
- Crime Over London (1936) as Soap Salesman
- Accused (1936) as Henry Capelle
- Paradise for Two (1937) as Paul Duval
- Blind Folly (1939) as Ford
- French Without Tears (1940) as Cmdr. Bill Rogers
- Girl in the News (1940) as Police Inspector (uncredited)
- Night Train to Munich (1940) as Roberts
- Old Bill and Son (1941) as colonel
- Fingers (1941) as Hugo Allen
- Quiet Wedding (1941) as Boofy Ponsonby
- This England (1941) as Steward
- One of Our Aircraft Is Missing (1942) as Naval Officer
- The Day Will Dawn (1942) as Cmdr. Pittwaters
- Unpublished Story (1942) as Stannard
- The First of the Few (1942) as Commander Bride
- Secret Mission (1942) as Captain Red Gowan
- Talk About Jacqueline (1942) as Leslie Waddington
- The Life and Death of Colonel Blimp (1943) as Colonel Betteridge
- Dear Octopus (1943) as Felix Martin
- On Approval (1944) as Richard Halton
- English Without Tears (1944) as Sir Cosmo Brandon
- Give Us the Moon (1944) as Ferdinand
- Dead of Night (1945) as Eliot Foley
- Perfect Strangers (1945) as Richard
- To Each His Own (1946) as Lord Desham
- Wanted for Murder (1946) as Chief Insp. Conway
- Singapore (1947) as Michael Van Leyden
- Down to Earth (1947) as Mr. Jordan
- The Emperor Waltz (1948) as Baron Holenia
- Isn't It Romantic? (1948) as Major Eucid Cameron
- The Great Lover (1949) as Grand Duke Maximillian
- Trio (1950) as Mr. Ashenden (in segment Sanatorium)
- The Late Edwina Black (1951) as Inspector Martin
- Hotel Sahara (1951) as Major Bill Randall
- Encore (1951) as George Ramsay
- The Magic Box (1951) as 1st Company Promoter
- The Hour of 13 (1952) as Connor
- Folly to Be Wise (1952) as George Prout
- The Holly and the Ivy (1953) as Lord B.
- Rough Shoot (1953) as Randall
- Betrayed (1954) as Gen. Warsleigh
- The Teckman Mystery (1954) as Insp. Harris
- The Man Who Loved Redheads (1955) as Major Oscar Philipson
- The Ship That Died of Shame (1955) as Fordyce
- Touch and Go (1955) as Fairbright
- An Alligator Named Daisy (1955) as Col. Geoffrey Weston
- Safari (1956) as Sir Vincent Brampton
- The Hypnotist (1957) as Doctor Francis Pelham
- Light Fingers (1957) as Humphrey Levenham
- The Vicious Circle (1957) as Detective Inspector Dane
- The Truth About Women (1957) as Charles Tavistock
- Bonjour Tristesse (1958) as Mr. Lombard
- Next to No Time (1958) as Sir Godfrey Cowan
- Rockets Galore! (1958) as Captain Wagget
- A Pair of Briefs (1962) as Sir John Pilbright
- Term of Trial (1962) as Trowman
- The Iron Maiden (1962) as Lord Upshott
- The Yellow Rolls-Royce (1964) as Norwood
- Thunderball (1965) as Foreign Secretary
- A Man Could Get Killed (1966) as Doctor Mathieson
- In Search of Gregory (1969) as Wardle
- The Magic Christian (1969) as Sir Herbert (uncredited)
- Fragment of Fear (1970) as Mr. Vellacot
- The Rise and Rise of Michael Rimmer (1970) as Sir Eric Bentley
- Bequest to the Nation (1973) as Lord Barham
- The Legend of Hell House (1973) as Mr. (Rudolph) Deutsch
- The Mackintosh Man (1973) as Judge
- No Longer Alone (1976) as A.E. Matthews
- The Uncanny (1977) as Wallace (segment "London 1912")
- The Greek Tycoon (1978) as Robert Keith
- Rough Cut (1980) as Mr. Lloyd Palmer
- Never Never Land (1980) as Mr. Salford
- The Hunchback of Notre Dame (1982) as Bishop of Paris
- Britannia Hospital (1982) as General Wetherby
- The Missionary (1982) as Lord Ferm
- Michael Wilding as Private 'Nobby' Clark
Filmography[edit]
Television[edit]
Year Title Role Other notes 1973 Frankenstein: The True Story Sir Richard Fanshawe TV film 1968 Mannix Phillip Montford/Sir Arnold Salt Episode: A View of Nowhere 1966 Bob Hope Presents the Chrysler Theatre Major Tucker Episode: The Fatal Mistake The Girl from U.N.C.L.E. Franz Joseph Episode: The Lethal Eagle Affair 1963 Burke's Law Dr. Alex Steiner Episode: Who Killed Sweet Betsy? The Alfred Hitchcock Hour David Saunders Episode: Last Seen Wearing Blue Jeans 1962 Saints and Sinners Sir Robert Episode: A Night of Horns and Bells 1958, 1959 Playhouse 90 Sir John Alexander
Chris HughesEpisode: Verdict of Three
Episode: Dark as the Night1959 Lux Playhouse Stephen MacIllroy Episode: The Case of the Two Sisters 1958 Target Episode: The Clean Kill Climax! Lt. MacKenzie Barton Episode: The Volcano Seat (1)
Episode: The Volcano Seat (2)1957 The Joseph Cotten Show Colonel Blood Episode: The Trial of Colonel Blood 1955, 1956 The 20th Century Fox Hour Robert Marryot
Captain Robert WiltonEpisode: Cavalcade
Stranger in the Night1956 Screen Director's Playhouse David Scott Episode: The Carroll Formula - Nancy Price as Violette, housekeeper
- Karel Stepanek as Major Lang
Partial filmography[edit]
- Ein Lieb, ein Dieb, ein Warenhaus(1928)
- Berlin-Alexanderplatz - Die Geschichte Franz Biberkopfs(1931)
- Here's Berlin (1932) as Max
- Five from the Jazz Band (1932) as Jean
- Spione im Savoy-Hotel (1932) as Jackson
- A Song for You (1933) as Theo Bruckner
- Waltz War (1933) as Kellner Leopold
- Hermine und die sieben Aufrechten (1935) as Ruckstuhl, Grundstückspekulant
- Die Werft zum Grauner Hecht(1935) as Ladewig
- Der Auβenseiter (1935) as Otto Burian
- Stärker als Paragraphen (1936) as Robert Wendland
- Die Unbekannte (1936) as Manager at Regina's
- Signal in der Nacht (1937) as Korporal Tschepski
- Die Fledermaus (1937) as Attaché / Orlovsky
- Klatovsti dragouni (1937) as Dance Master
- The Stars Shine (1938) as Oberbeleuchter Brandt
- Narren im Schnee (1939) as Rolf Pinkenkötter
- War es der im 3. Stock? (1939) as Georg Kilby
- Das Abenteuer geht weiter (1939) as Rechtsanwalt
- Hotel Sacher (1939) as Franz
- Der Florentiner Hut (1939) as Felix
- Die Kluge Schwiegermutter (1939) as Hans Giebel
- Drei Väter un Anna (1939) as Matschek
- Alles Schwindel (1940) as Clubdiener
- Women Are Better Diplomats(1941) as Kellner
- Secret Mission (1942) as Major Lang
- Tomorrow We Live (1943) as Seitz
- Escape to Danger (1943) as Franz von Brinkman
- They Met in the Dark (1943) as Riccardo
- The Captive Heart (1946) as Forster
- Counterblast (1948) as Professor Inman, Nazi Psychiatrist
- Broken Journey (1948) as Swiss Officer (uncredited)
- The Fallen Idol (1948) as First Secretary
- Conspirator (1949) as Radek
- The Third Man (1949) as Actor at Josefstadt Theatre (uncredited)
- Give Us This Day (1949) as Jaroslav
- Golden Arrow (1949) as Schroeder
- Cairo Road (1950) as Edouardo Pavlis
- State Secret (1950) as Dr. Revo
- The Third Visitor (1951) as Richard Carling
- No Highway (1951) as Mannheim (uncredited)
- Walk East on Beacon (1952) as Alexi Laschenkov / Gregory Anders
- Affair in Trinidad (1952) as Walters
- City Beneath the Sea (1953) as Dwight Trevor
- Never Let Me Go (1953) as Commisar
- Rough Shoot (1953) as Diss
- Dangerous Cargo (1954) as Plink
- Tale of Three Women (1954) as Alfred Dykemann (segment "Final Twist' story)
- A Prize of Gold (1955) as Zachmann
- Secret Venture (1955) as Zelinsky
- The Cockleshell Heroes (1955) as Assistant Gestapo Officer
- Man of the Moment (1955) as Lom
- Private's Progress (1956) as German Officer (uncredited)
- The Man in the Road (1956) as Dmitri Balinkev
- Anastasia (1956) as Mikhail Vlados
- The Traitor (1957) as Friederich Suderman
- West of Suez (1957) as Langford
- Operation Amsterdam (1959) as Diamond Merchant (uncredited)
- Our Man in Havana (1959) as Dr. Braun
- Sink the Bismarck! (1960) as Admiral Günther Lütjens
- I Aim at the Stars (1960) as Captain Dornberger
- Three Moves to Freedom (1960) as Baranow
- Terror After Midnight (1962) as Vater Stoddard
- Devil Doll (1964) as Dr. Heller
- Operation Crossbow (1965) as Prof. Hoffer
- Licensed to Kill (1965) as Henrik Jacobsen
- The Heroes of Telemark (1965) as Prof. Hartmuller
- Sperrbezirk (1966) as Inspector Wagner
- The Frozen Dead (1967) as General Lubeck
- Murderers Club of Brooklyn(1967) as Dyers
- Before Winter Comes (1969) as Count Kerassy
- The File of the Golden Goose(1969) as Mueller
- The Games (1970) as Kubitsek
- Been Down So Long It Looks Like Up to Me (1971) as Count Derassy (Last appearance)
- Fritz Wendhausen as General von Reichman (as F.R. Wendhausen)
Selected filmography[edit]
Screenwriter- The Grand Duke's Finances (1924)
- The Trial of Donald Westhof (1927)
- Dreyfus (1930)
- 1914 (1931)
Actor- Old Heidelberg (1923)
- Secret Mission (1942)
- Tomorrow We Live (1943)
- Beware of Pity (1946)
- Odette (1950)
- Desperate Moment (1953)
- Orders to Kill (1958)
Director- Madame de La Pommeraye's Intrigues (1922)
- The Stone Rider (1923)
- Der Herr Generaldirektor (1925)
- The Trial of Donald Westhof (1927)
- Out of the Mist (1927)
- The Runaway Princess (1929)
- Queen of the Night (1931)
- Little Man, What Now? (1933)
- The Black Whale (1934)
- Peer Gynt (1934)
- Betty Warren as Lulu Clark
- Percy Walsh as M. Fayolle
- Anita Gombault as Estelle Fayolle
- Nicholas Stuart as Captain Mackenzie
- John Salew as Hauptmann Gruening
- Yvonne Andre as Martine, money collector
- David Page as Rene de Carnot, boy
- Brefni O'Rorke as Village Priest
- Beatrice Varley as British Cook
- Stewart Granger as Sub-Lieutenant Jackson
- Oscar Ebelsbacher as Provost Officer
- Herbert Lom as Medical Officer
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