Showing posts with label . Show all posts
Showing posts with label . Show all posts

Tuesday, April 29, 2014

Defeating Evil

Defeating Evil

Defeating Evil

At the age of 1, I survived the selection in the Kovno Ghetto that wiped out a third of the population.

by 


My story begins and ends with a prophecy uttered by my grandmother at the moment I was born. “This child,” she said, “because she was born on the first day of the Jewish New Year, will be lucky her entire life.”
Six months later the Nazis invaded Lithuania and the word “luck” disappeared for all of us Jewish people living in that country.
Suly ChenkinBy the time I was 8 months old we wore a yellow Star of David and at 10 months we were prisoners in the hard labor/concentration camp known as the Kovno Ghetto.At the age of 1, I survived the selection in which one third of the population, mostly children and the elderly, were taken away and shot.
In the two years that followed, disease, famine, hard labor, lack of firewood and the constant terror of not knowing what was going to happen next decimated another third of the population. Then came the “Kinder Aktzie,” the raid where the SS went house by house, pulling out all children under the age of 12, and any adult deemed unfit for labor.
Because of my father’s boss, a Nazi with a conscience, we were forewarned, hurriedly built a hiding place and stayed hidden in the newly excavated bunker.
On the second day they came to our house. I remember my terror in the darkness of the hole, as my mother’s hand kept pressing against my mouth so that I wouldn’t cry and give us away. Luckily the Nazis and their dogs did not sniff out our hiding place, but from there on I had to remain inside the house, for there were no children visibly left in the ghetto.
With each passing day my parents, Riva and Solomon Baicovitz, grew more desperate and as the chance of their own survival became nil, they made a decision no parent should ever have to make: They gave me away.
On May 11, 1944, my parents told me they loved me, that if they could they would come back for me, but that I could never ask for them, for if I did, the bad guys would kill them and me. I was giving a sleeping potion and when it took effect I was put into a potato sack.

A Harrowing Escape

Outside, a cart awaited. My sack was loaded atop of the other sacks and then the cart travelled alongside the ghetto fence. At a pre-arranged time and place, I was thrown over the barbed wire. Two women who had been waiting ran to the fence pulled me out of the sack and placed me in a baby carriage. I remained asleep as they wheeled me away to what everyone hoped was a chance to live. I was 3½ years old.
My fate had been entrusted to someone my parents had never met. Miriam Shulman was Jewish herself, from a prestigious rabbinical family. She had gone undercover, placing her own and other people’s children with the few Lithuanians who were willing to take us in.
Within 8 weeks, the fewer than 6,000 remaining inmates of the ghetto were marched through the city to the train depot. There they were loaded onto the cattle cars and sent to concentration camps: the men to Dachau in Germany, the women to Stuthoff in Poland.
A few months later the Soviet Army liberated Kovno and we came out of hiding. But the ghetto had been liquidated, dynamited and burned to the ground and the people, including my parents, were gone and presumed dead. Luckily for me, instead of placing me in the orphanage, Miriam took me in and when she decided to leave Kovno, she took me with her and her own children. In January of 1945, we started our dangerous journey through the snow and devastation of Europe. We had no documents, food or money and the next 10 months were a nightmare. Somehow we made it to Romania and there, on the month of my fifth birthday, we boarded a ship to Israel.
Although I had never asked for my parents, I had never forgotten them. I cried all the way to Jerusalem as I faced the fact that I was an orphan and that same night I started calling Miriam “Ima,” Hebrew for mother.
Half a year later, when I had totally adapted to my new situation, Ima showed me a photograph that had come in the mail. “Do you know who these people are?”
My heart skipped a beat. “This was my Mamma, and this was my Papa.”
Miriam hugged me and, with tears in her eyes, she told me that my parents were alive and that my mother was coming to get me!

My Grandmother’s Prophecy

Both my parents had survived, by miracle and by a hair, the horrors of the camps and the Death Marches. My mother had been liberated by the Russian Army and by word of mouth she had found out that I had survived. Although her body was ravaged from malnutrition and frostbite, she escaped the camp in order to search for me all over Europe.
Out of the 40,000 Jews in Kovno, about 2,000 survived.
A month before my sixth birthday, I came running around the bend of our house in Jerusalem and ran smack into my mother’s arms.
Five months later, my papers allowing me to enter Cuba arrived and I had to say goodbye to Miriam and my foster siblings. On February 6th, 1947, we arrived in Havana and I was reunited with my dad.
Three years had gone by. 27 of our close family members had perished. And out of the 40,000 Jews in Kovno, about 2,000 survived.
My grandmother Minda did not make it. But her prophecy did, for here I am, so many years later, living proof that evil can be defeated by the actions, small and large, of a few good people.

Saturday, May 18, 2013

muslims-who-helped-save-french-jews/

http://forward.com/articles/149041/muslims-who-helped-save-french-jews/?p=all

Benjamin Stora, an Algerian-born writer and political activist who turned 61 in December, has for years combined history and self-history as a North African Jew. Most recently he has become embroiled in a controversy about the role that Muslims may have played in saving French Jews during the Holocaust.




As adviser for the acclaimed French film “Free Men” (“Les Hommes Libres”), the prolific Stora was responsible for its historical accuracy. Released in Paris in the fall, and set for American arrival in the spring of 2012, “Free Men” tells how, in German-occupied Paris during World War II, a young Algerian immigrant unexpectedly joins the anti-Nazi resistance after becoming friends with a Jewish cafe singer. Co-written and directed by Ismaël Ferroukhi, a Frenchman born in Morocco, “Free Men” is inspired by real-life episodes in which Si Kaddour Ben Ghabrit, an Algerian-born high-society lover of the arts who served as the rector of the Great Mosque of Paris, managed to save the life of Jewish singer Salim Halali, who would later become a well-known performer of North African music.

Born Simon Halali in Algeria, the singer was performing in Paris by the late 1930s. The artsy and intellectual Ben Ghabrit was also an amateur violinist and oud player. He frequented high-toned Gallic salons, where he was admired as the “most Parisian of Muslims.” He hired Halali to perform at the Café Maure de la Mosquée, a North African-style coffeehouse and tearoom still located within the Great Mosque in Paris’s 5th Arrondissement.


Ben Ghabrit, although required to collaborate with the Nazi-controlled French Vichy government, was also a close friend of Mohammed V, King of Morocco. The latter monarch’s laudable efforts to protect his Jewish subjects during the Second World War have led to his name, among others, currently being bruited about to be named one of the “Righteous Among the Nations,” an initiative that Shimon Peres reportedly supports. As Eva Weisel pointed out in a December 28 Op-Ed in The New York Times, getting Yad Vashem to grant the honorific to a Muslim seems to be unusually difficult.


If not quite this heroic, Ben Ghabrit did indeed save Halali by issuing him a false certificate of Muslim religion to mislead the Nazis. To back up this document, the name of Halali’s father was even inscribed on a blank headstone in the Muslim cemetery of the Parisian suburb of Bobigny.




“Free Men” cites other cases of such false certificates being issued, although the full number has been a matter of dispute, with undocumented estimates ranging from more than 1,500 to a scant few, depending on the account. After “Free Men” opened, a number of articles on the news and culture website rue89.com alleged that the film exaggerated the number of such salvations. The articles also implied that the filmmakers painted a misleading portrait of solidarity between Arabs and Jews.



In an October reply posted on the website, Stora explained that the film was centered on the true story of Halali as well as that of two little Jewish girls whose rescue by Mosque officials was authentic because Stora had personally interviewed them as part of his previous research. Stora further explained that “Free Men” is a fictional film based on factual incidents, in the manner of Claude Berri’s much loved “Le Vieil Homme et L’enfant,” “The Two of Us”, about an old Frenchman who shelters a Jewish child during the Nazi occupation. Stora concluded the polemic over how many Jewish lives were actually saved by Arabs by reminding readers of the talmudic saying “Whoever saves one life, if it is as if they had saved the whole world.”


Precisely the same phrase is cited in a 2006 Washington Post article by Robert Satloff, author of “Among the Righteous: Lost Stories From the Holocaust’s Long Reach Into Arab Lands (PublicAffairs, 2006).” In The Washington Post, Satloff stated: “There is strong evidence that the most influential Arab in Europe — Si Kaddour [Ben Ghabrit], the rector of the Great Mosque of Paris — saved as many as 100 Jews by having the mosque’s administrative personnel give them certificates of Muslim identity, with which they could evade arrest and deportation.”




Whatever the actual numbers may be, equally pertinent both to history and to its fictional filming in “Free Men” is to understand what would motivate an impoverished Algerian immigrant, psychologically and emotionally, to fight Nazis in defense of Jews. Here, Stora’s professional and life expertise is invaluable, as recounted in his “self-history,” “Three Exiles: Algerian Jews” (“Les Trois Exils, Juifs d’Algérie”), reprinted this past spring by Pluriel.



In “Three Exiles” and other works, Stora uses his own family history as a springboard for understanding the historical fate of North Africans — more specifically Algerians, and even more specifically, Algerian Jews. Stora ranges from accounts of brutal anti-Semitic oppression to sweet memories of Jewish cultural delights in Constantine, Algeria, such as the Sephardic culinary wonder known as la dafina, the slow-cooked Sabbath-evening dish that is sometimes inadequately described as a North African cholent; in Constantine, la dafina was a patiently simmered concoction of beef, potatoes, chickpeas, eggs and spinach, among other ingredients.



In 1962, Stora and his parents left such delicacies behind after his homeland’s independence from France was declared. They settled in France, where he still lives in the working-class Paris suburb of Asnières-sur-Seine. At first feeling estranged in his new surroundings, Stora found context and purpose during Paris’s 1968 student revolution, when he became a Trotskyite activist alongside such budding politicians as Lionel Jospin, who would later serve as France’s prime minister and as the Socialist Party candidate for his country’s presidency. Stora’s own political achievements were humbler, although they did alienate his father, a traditional-minded semolina salesman from Algeria, and his mother, whose only dream was for her son to embrace the stable career of dentistry.

Instead, Stora acquired the historical and social acumen to appreciate working-class sufferings and to see why in Paris, circa 1940, some Algerian immigrant laborers were ardent anti-fascists and devoted supporters of Léon Blum’s socialist Front Populaire. As ill-treated immigrants, some Arabs preferred to side with persecuted working-class Jews rather than haughty Nazi propagandists within France’s Vichy government. In a comparable way, North African Jews enjoyed the music and culture on offer at the Paris Mosque, where they could be sure to avoid pork products, elsewhere a French culinary staple, in any meals served. Stora notes that even today, we can encounter French Jews who during wartime requested to be documented as Muslims at the Paris Mosque in order to save their families.




On the human level and the cinematic scale of “Free Men,” Stora’s judgment has been wholly validated. And in the historical context, Satloff writes in “Among the Righteous” that albeit in very modest numbers, it can be demonstrated that during “Nazi, Vichy, and Fascist persecution of Jews in Arab lands, and in every place that it occurred, Arabs helped Jews.”



When the first volume of Stora’s “The Algerian War Seen by Algerians,” (“La Guerre d’Algérie Vue par les Algériens”) appeared in 2007 from Les Éditions Denoël, it was praised by Le Monde for “offering a viewpoint, in the cinematographic sense of the word, which is both original and up-to-date.” This same cinematographic sensibility made it only a matter of time before Stora’s talents hit the big screen. He was historical adviser for the 1992 French film “Indochine” which won the Oscar for best foreign film, and he wrote the documentary “The Algerian Years,” broadcast by France 2 television in 1991. In “Les Hommes Libres,” Stora has found a subject of unprecedented closeness to his heart and the essence of his work as a historian.



Benjamin Ivry is a frequent contributor to the Forward.







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